I am filling out the form with a trembling hand. I am gripping the pen a bit harder than usual and the letters look tense and angular. Why? I am opting out of organ donation. As simple as that. I am not donating my eyes to anyone. And when it comes to my heart, I want to have a say in who receives it.
This Pottery Market is said to be one of Europe’s largest ceramics festivals! Each year over 160 potters from all over Europe meet in the Upper Bavarian town of Diessen on the shores of the beautiful Lake Ammersee. This year 170 potters from 16 countries participated.
The Diessener Ceramic Prize is internationally known and appreciated. This year, Monika Debus from Höhr-Grenzhausen, was awarded the ‘Diessener Keramikpreis 2018’ for her work on the theme of contrasts.
Gratitude! Originally included in Robert Epstein’s Beyond The Grave: Contemporary Afterlife Haiku, 2015, this haiku
has been translated into Chinese by Chen-ou Liu, 劉鎮歐 and included in Butterfly Dream!
Today I came across a beautiful meditation on death and dying: Debiprasad Mukherjee & Gabriel Rosenstock’s lyrical and soulful collaboration: Last Stop Before Salvation
This is how their work is presented by the Culturium:
In this week’s guest post for The Culturium, Debiprasadoffers us a window on the private world of those in the final days of their life ensconced in a hospice on the banks of the Ganges river. Coupled with Gabriel’s beautiful haiku, their collaborative offering is a moving and deeply profound meditation on the soul’s journey from this life to the next.
Debiprasad Mukherjee, Last Stop Before Salvation – The Culturium
About 65 families and individuals, people with secure residence status and refugees, rich and poor, healthy and sick, old and young, beginner and experienced gardeners, celebrate, talk, and laugh together there. 15 nations meet, organize, and form a community based on mutual help and tolerance.
They run allotments, a communal bee-keeping project, a communal orchard; all part of the larger Cultural Park West of Augsburg. There are spaces for artists’ workshops, theatre etc. in this area, which was originally part of a US Army base.
I visited them and marvelled at the relaxed, friendly atmosphere. I walked around the allotments, bought unusual tomato plants, ate exotic food, freshly cooked by the community members, listened to live music and felt as if I were in multicultural London.
Unfortunately, the future of the garden is not secure, as the town plans to relocate the existing Cultural Park West facilities to the nearby old Gaswerke quarter. This leaves
the community garden project open to an uncertain future. I hope the town planners and the intercultural authorities, especially since the society for the promotion of vocational and social integrationinitiated this project, realise the importance of this project and ensure its continuation and development.