My poem on tinywords yesterday:
river tides where have I been
.
(I almost missed it!)
Thanks to the tinywords team for the beautiful background image.
My poem on tinywords yesterday:
river tides where have I been
.
(I almost missed it!)
Thanks to the tinywords team for the beautiful background image.
Pleased to see my ‘Intertextuality,’ a haibun diptych, in issue 4 of Sonic Boom, published under ‘Fiction.’
Issue 4, is an anniversary issue. Happy Birthday to Sonic Boom, many happy returns!
Intertexuality
(a diptych)
I
A reader asks for help with a patch of garlic plants forgotten and left to overgrow in their garden. Well, I say, dear reader, we are caught between a rock and a hard place. Garlic doesn’t like to be transplanted. And this text is not the right place to ask, or answer such a question. But I can’t resist. It is spring, after all, and I am stuck for ideas. So, to your garlic clump: Let it be. Let it grow, and when it is ripe and ready, when the tips of the green shoots start to brown, dig the plants out. They will be pungent, crisp, and juicy, the plant oils moistening your tongue. Then plant a few individual cloves for next year’s crop. Enjoy the rest.
writer’s block
the school of life
full of lessons
II
Spelt flour, baking powder, butter, milk, and salt. Mix, pat down, shape into rolls, and bake. Serve with olive oil, and garlic from another haibun to dip the bread into. Enjoy!
a frog jumps in—
intertextuality
for beginners
bicycle thief—
on her blouse
cherry blossom
.
2015 Haiku Invitational, International Sakura Awards Honorable Mention.
In time with the first snowfall…my haibun “Pandora’s Box” is now online at Haibun Today. A political haibun, looking back at the period of the Greek Junta and its aftermath.
The entire winter quarterly issue of Haibun Today can be found here
Do you sometimes wonder what happens after the gravediggers return to their workstations and the grieving relatives go home? What is it of the self or soul that’s left inside the box or urn, or floating in the air? Do you think there may be life after death, a life after this life, an afterlife? Do you fret over reincarnation, heaven, or hell? Poets do.
resting in peace
her mobile phone
keeps ringing
Robert Epstein, a licensed psychologist, and haiku poet, has just edited Beyond The Grave: Contemporary Afterlife Haiku (Middle Island Press, 2015), an anthology of poets’ haiku on the life beyond. Thoughtful, sensitive, measured and moving, as well as studded with moments of humour, and brilliance, the anthology proves an invaluable companion for thinking about the limits (and beyond) of existence.
lilies the meaning of life after death
Leafing through poems on life after death, I let myself be led along lines of uncertainty, of hope, as well as humour, of the ineffable, of mysteries, without the certainties that dispose of thought.
afterlife
that turn of phrase
in her haiku
.
(Poems included in the anthology)
I must be on a roll! Delighted to learn that my haibun “Time” received third honourable mention in the “Best of Haibun and Tanka Forms” 2015, for the KYSO Flash Anthology due out in December 2015.
Roberta Beary, award-winning poet and haibun editor of Modern Haiku, the judge of this contest, wrote:
Stella Pierides’ haibun shows how time, which is also the title, turned the narrator’s expectations of her life’s autumn upside-down. The haiku at the haibun’s end effectively juxtaposes the images and original word choice in lines 1 and 2, lulling the reader along until the surprise of line 3. At first glance the haiku does not seem relevant to the prose. A deeper reading shows that the haiku echoes and expands the feelings of surprise and mortality elicited by the prose, which is exactly what is supposed to happen in haibun.
You can find “Time” here
Thrilled to have had a poem of mine discussed at re: Virals, The Haiku Foundation’s poem commentary feature. The poem is from my book In the Garden of Absence (Fruit Dove Press, 2012):
granny’s cushion
pulling the darkness out
pin by pin
It was chosen by Irish poet Marion Clarke, the previous week’s commentary winner. And right on Halloween, All Saints Day… which added extra layers of depth to my haiku. Thank you, Marion! And thank you too, to Garry Eaton and Beth McFarland for their insightful comments.
I love the re:Virals series, and look forward to reading the poems chosen and the commentaries written on them.
Would you like to take part? Anyone can participate. There is a new poem each Friday on the site (chosen by the previous week’s winning commentator) for you to comment on. Simply put your take in the Contact box by the following Tuesday midnight. . .and there you have it, good luck! The best commentary will be reproduced in its entirety on the site and kept permanently in the THF Archives.
mala fide—
taking another look
at the moon
Frogpond, 38:3 2015
thin clothes
an imperceptible smile
forming
.
nine circles of hell
positioning
my wickedness
Chrysanthemum 2015, Nr. 18. p. 34
Delighted that my epistolary poem ‘Dear Yannis’ (Ritsos) is given another airing on RE / VERSE, the online journal.
‘Little Eagle Press presents poems previously published. Well worth another look, we think,’ they say. Thank you to Ralph Murre for giving my poem a second chance, and for the photo art image he created that accompanies the poem. Take a look by clicking here
Nothing
Please don’t read beyond the title. This is not a poem, nor is it a haibun, short story, or flash.
It has no beginning, middle or end. No development of any sort. It is here as a no thing, and by reading it you gain nothing. Unless you make it into something.
petals or thorns
a scratch on the surface
of infinity
Published at ‘the other bunny‘ August 3, 2015
cherry blossom
a bar regular vents
his spleen
.
p 24
*
question time
the where, when, and how
of peonies
.
p 25
*
in Sonic Boom
Delighted to have two of my one-line haiku published:
*
numerically speaking the soul sucks
*
blending spring with daisies you get a billboard
+
Bones – journal for contemporary haiku (in PDF)
no. 7, july 15, 2015
mother’s day
pushing all the wrong
buttons
.
Frogpond 2015, 38:2, p.11
ash wednesday
my thin layer
of platitudes
Frogpond 2015, 38 : 2, p.11
. . . endolymph. . . endo . . . interior . . . dreams . . . inner voice . . . nymph . . . Rilke’s “a girl . . . made herself a bed inside my ear” . . . my ear . . . labyrinth . . . cochlea . . . conch . . . shell . . . sea . . . Aegean . . . crashing waves . . . stop! . . . waves lapping the shore . . . sails . . . seagulls . . . shrieks . . . my tinnitus . . . rushing water . . . endolymph . . .
wherever you go
the ship follows you . . .
siren song
.
In The other bunny
Dear Yannis
In our hands, you said, we hold
the shadow of our hands. I know
the cold absence of the marbles,
olives sprouting from the cracks.
The coffee grinder turns
slowly, gently. The moon
still kind, bathes our wrinkled
hearts in light. In silver. In sorrow.
Old souls sitting by the river
listening to the boat engine
starting, coughing, spitting,
dying. Starting again.
(to Yiannis Ritsos, in response to his poem “Absence”)
.
Poem written to the poetsonline prompt: Dear Poet: Epistles to the Poets. For the other poems on the poetsonline.org blog, please see Archive, ‘Dear Poet’ on their site.
Please note English spelling of the original Greek name varies (Yiannis [e.g. Wikipedia], Yannis [e.g. Poetry Foundation]). Wikipedia lists a number of variants: ‘Yannis or Yiannis or Giannis (Γιάννης) is a common Greek name, a variant of John (Hebrew) meaning “God is generous.” Variants include Ioannis (Ιωάννης), Yanni, Iannis, Yannakis; and the rare “Yannos”, usually found in the Peloponnese and Cyprus.’
Whenever I thought of the ravages time would inflict on me, I thought of wrinkles. I imagined myself slightly plump, with a few strategically placed wrinkles and a very respectable grey sheen in my hair. I also considered liver spots, imagining myself smiling benevolently behind a seemingly sun-blessed veil of freckles. Now that I’ve reached a point when time weighs on me… let’s say, there have been surprises, indiscretions, indignities. Take the slight pearl that sometimes appears and glistens on the side of my mouth.
honeydew
a blush spreads over the edge
of the precipice
.
In KYSO Flash, May 2015
cup-shaped blooms
the outpouring of
emotion
.
In Blithe Spirit (Journal of the British Haiku Society) 25:2, 2015
In her long life she owned six cats, each living at least ten years. As a child, she was afraid of her first cat, a street-wise tabby. Then she loved chasing her around the house, transferring her fear to the cat. As a teen, she helped a boyfriend taunt the poor thing. She ignored, tripped over, kicked, or spoiled subsequent cats, depending on her phase of life and her mood. Now resting in her recliner, she caresses and speaks to her latest, and only, companion, an ageing, placid ginger, with a gentleness she hasn’t known before.
pear blossom
the lifelong practice of
learning to love
.
KYSO Flash 3, May 2015
counting petals
the dull ache of
insincerity
In Blithe Spirit (Journal of the British Haiku Society) 25.2, 2015.
My longer poem Seferis’ Houses, republished in Little Eagle’s RE / VERSE, April 9, 2015. To read the poem, please click here
Artwork by Ralph Murre, after a photo by (or of?) Giorgos Seferis
Little Eagle Press presents poems previously published. Well worth another look, we think
Paying homage to Seferis, the poem directly refers to Seferis’ ‘Thrush’, a poem he wrote in 1946. You can read the poem on the Poetry Foundation site.
For information about Giorgos Seferis, see the Wikipedia entry.
You may also want to take a look at this longer, Princeton Uni. entry with photos, or at Edmund Keeley’s interview with Seferis in the Paris Review.
skull MRI
butterfly eggs readying
to hatch
.
Prompt: a Rorschach test image (Gabi Greve)
World Kigo Database, Haiku topics, Theory and Keywords: Rorschach
See more poems here
re: falling leaves
he says he still
loves her
.
In Frogpond, 2015, Vol. 38:1, p. 10
walking on ice …
my full attention
to the moment
.
A Hundred Gourds 4:2 March 2015, p. 15
.
you and I this winter ellipsis
.
Modern Haiku vol. 46.1 winter-Spring 2015
pinpricks of icy rain…
how damp wood spits
.
In Blithe Spirit, 25:1, p. 4.
Blithe Spirit is the Journal of the British Haiku Society