Interesting connection between haiku and abstract painting!
In this short film, painter Maria Pierides describes how her current “Lipstick Project” came about and makes the connection between haiku and her abstract paintings! The film was created for the VAA International Online Spring Exhibition, the Curator Awards Presentation.
The exhibition site and Curators Awards can be found here
Highlighting articles, blog posts, news, poems, films about living with Parkinson’s in honor of Parkinson’s Awareness Month and beyond.
April is Parkinson’s Disease Awareness Month, set aside each year for drawing attention to this little understood and still under-researched neurodegenerative disease that affects around 10 million people globally (with numbers growing rapidly). At the center of this observance is World Parkinson’s Day April 11. Patients, families, care workers, support groups use the month, and the day, to heighten awareness of the disease as well as inform of the resources that are needed / available to support those afflicted by it.
April is also National Poetry month in the United States, with April 17 set to celebrate international Haiku Poetry Day. Poets, publishers, teachers of poetry, librarians, poetry lovers come forward to inform about, promote and celebrate poetry the whole month. The Haiku Foundation honors International Haiku Poetry Day (IHPD) with HaikuLife, the yearly Film Festival, and EarthRise Rolling Haiku Collaboration, a poem written by haikuists on the day, from sunrise to sundown around the world.
Since both Poetry and Parkinson’s are of particular relevance to me, I will be posting links to interesting articles, information, and Parkinson’s poetry in this blog.
Here is my favorite poem about Parkinson’s (the first one of four) by Robin Morgan:
A post by Minter Krotzer on her husband Hal Sirowitz’s need to keep the disease secret as long as possible, illustrates a common problem faced by people with Parkinson’s known as staying in the Parkinson’s closet! In her post The hardest Secret, she observes, “It’s interesting to me that people aren’t in the closet about many things anymore but they are about disease.”
And here you will find Michael J. Fox‘s story, one of the most well-known figures in the Parkinson’s world, diagnosed in 1991:
A detailed and brave description of personal experience of the disease and the healing practice of Haiku, titled Haiku and Parkinson’s Disease, by Tim Roberts, can be found in the New Zealand Poetry Society website
I hope that my posts will make a small contribution to addressing the heart-breaking dilemma those afflicted with PD find themselves in: on the one hand, the stigma associated with this disease, which creates and reinforces the need to stay in the closet and so deprive those living with it of the support there is; and, on the other, the paucity of information about the disease, which leads to and feeds misunderstanding and stigmatization.
If you are wondering about the title of this post: A red tulip is the symbol chosen for Parkinson’s Disease.
After four or five years, the miracle pill—the “gold standard” of Parkinson’s treatment—loses its sparkle. The drug wears off several times a day, allowing symptoms to reappear or worsen. Unless you increase the dosage, you’ll be staring into the abyss: muscle stiffness, imbalance, weakness, lethargy… And if you increase it?
dyskinesia. . .
how tall grass
In Contemporary Haibun Online 17.1
There is a point at which thought unravels, where cosmic dust swims on waves our brains are not equipped to comprehend. This is the reason we learn to speak of concrete things caught by the senses – the fragrance of flowers, light and shadow, bird song, the weight of snow. Holding tight to the literal, we learn to survive.
Betelgeuse. . .
on my third cup
of strong coffee
My heartfelt thanks to editor Clare MacQueen for publishing this haibun
in issue 7 of MacQueen’s Quinterly. It had originally appeared in the
Wales Haiku Journal.
It’s at its loudest in the early morning hours. Before light dissolves darkness, before the neighbour leaves for work, before the birds start singing, his laboured breathing comes over the baby monitor whispering, gurgling, rattling, spluttering….
I lie awake listening to the crack of thunder, the roaring waterfall, the sounds of the sea emitted from his chest. A car starting, the exhaust backfiring, the train leaving station. The boat reversing in the harbour. Light rain. A soft meow. His breathing renders a whole world. In this soundscape, I make out the stories he told me when years ago he put me to bed.
Soon, light dispels the apparitions, and his breath comes over the monitor soft, steady, regular, lulling me to sleep.
music of the spheres
how we became
home alone . . . mother’s lipstick on her lips nude lipstick the teacher’s wry smile under her mask big sister’s lipstick . . . first date following his gaze to her mouth… lip reading lip liner learning to say no *** https://prunejuice.wordpress.com/2021/03/01/issue-33-senryu-kyoka/ In Prune Juice 33 (scroll down)
A woman reading a letter in the light pouring through an unseen window. Hair pulled back from the forehead, she is pictured in the style of her favorite painter against an expanse of soft yellows. Areas of blue for the shadows, the armchair and her top allude to hidden layers.
the temptation to see
Her upper body is turned towards the light, held by it, trapped by it. Arrested in the moment, her Parkinson’s is invisible. In a minute or two, she’ll have to change position, align her spine, prevent stiffness from setting in.
Amsterdam to Delft…
in their seats now, the old couple
remove their face masks
This is a good day. In the early hours of the morning, she’d lain listening to the woodpecker hammering time. As the hours rolled in, she made fabric out of wool, squeezed poetry out of the daily grind, mailed her loved ones. Read their letters…
to what matters
This haibun, a collaboration with artist and daughter Maria Pierides, appeared in the project Love in the Time of Covid
Very happy to have “Portrait,” my haibun paired with art by Maria Pierides, appear in Love in the Time of Covid: A Chronicle of a Pandemic. Many thanks to editor Michelle Elvy.
To read, click here
in my fridge
In “on the nail” haiku 2021
Dale Wisely says:
Delighted to announce a surprise, special issue of RIGHT HAND POINTING: Haiku 2021! (A nice set-up for our new print journal of haiku/senryu, first frost, coming this May). Thanks to our pal Elizabeth McMunn-Tetangco for curating the issue.Read it here
Third prize in the THF Kukai, January 2021
Here the writer is more obviously in the picture. We can easily imagine someone who is still in bed, waking to this familiar (and thereby reassuring) but perennially thrilling sound. The experience as conveyed has an energy that could well inspire optimism.
Commentary by Dee Evetts.
Thrilled to see my poem appear as (Per Diem) Haiku of the Day on the Homepagebof The Haiku Foundation! Many thanks to Ralf Broeker for including it in his collection on Spirits, and to Rob Scott for running the feature.
it must be
something I said…
waiting for the red lipstick
Inspired by @MariaPierides’s Lipstick project
felted fire bowl
of red lipstick
not taking calls…
my mobile phone’s
new felted case
A Happy New Year 2021 to all my friends! A year filled with Health, Love, Creativity, Happiness, and Peace!
Meanwhile, still in 2020, JuxtaSix: The Journal of Haiku Research and Scholarship, the print issue, is available! I just received my print copy from Amazon. It is a very interesting and well-presented issue. I am happy to say it includes an article on Haiku and the Brain that I co-authored. Many thanks to the editors, and reviewers, and well-done to my fellow authors!
What a wonderful project! The brainchild of Krzysztof Kokot, the International Picture Postcard Project “Haiku Connects Us” brings together poets and poetry from around the world. Beautiful pictures, coupled with haiku…what a treat! So pleased to see my contribution included here!Thank you, Krzysztof!
Earlier this year, I was very pleased to see that The Signature Haiku Anthology: Including Senryu and Tanka, edited by Robert Epstein, included one of my poems.
Robert Epstein describes a signature poem as “a unique and authentic expression of one’s haiku spirit or sensibility,” a poem by which the poet would wish to be remembered.
Now Gregory Pico, noting in one of his posts that “Some writers selected their most awarded and anthologized poem, while others chose a poem that best captured their poetic style, or portrayed a place or event of deep personal importance,” selected a few of these poems to feature on his website. Mine was included! Thank you so much, Gregory Pico!
whether I am here or not returning tide
It is June 21st, 2020, and The Haiku Foundation just announced the debut of Haikupedia, its encyclopedia of all things haiku! I copy below the Troutswirl blog post about the first week of Haikupedia’s existence:
Each week for the next several months we will release a few new articles in our ever-expanding encyclopedia of haiku. These we hope will give you a sense of the potential scale of this enterprise, as well as entice you to become a part of the project.
We begin this week with a long biographical article on Japanese master poet Kobayashi Issa. We present the full English text of the Matsuyama Declaration, a landmark in the establishment of “world haiku.” Our featured country this release is New Zealand, not least because of their supremely executed management of the Covid-19 pandemic. You will also find short biographies of this week’s featured writers, David G Lanoue and Sandra Simpson, as well as the several people behind the start-up of Haikupedia: Editor in Chief Charles Trumbull, Managing Editor Stella Pierides, Photo Editor Iliyana Stoyanova, Haikupedia (and Haiku Foundation) Website Manager Dave Russo, and THF Founder and President Jim Kacian.
Haikupedia is a vast and wonderful project and I am both humbled and honored to be part of it.