While waiting for next April 17 to come round, don’t miss the opportunity to watch the wonderful haiku films that were presented at this year’s HaikuLife, the Foundation’s Film Festival 2016. And scroll through the longest haiku collaborative poem,EarthRise Rolling Haiku Collaboration 2016. This year, in acknowledgement of the United Nations Year of Pulses, the theme of the project was Foodcrop Haiku.
Here are my own offerings to EarthRise:
the seed in the child’s
picking over lentils—
of the evening hour
edging closer to
at the back
of the late night bus
whiff of wild garlic
all seeds accounted for dawn chorus
I’ve always been fascinated by the concept of the Uncanny. Freud, the writer often associated with this concept, described the following uncanny experience when he came face to face with his own double. While travelling by train, Freud saw an elderly gentleman enter his sleeping compartment by mistake. Jumping up to let him know of his error, Freud realized it was his own image reflected in the mirror on the connecting door. He had found the appearance of what he thought was another man ‘thoroughly unpleasant.’ Without being frightened, he failed to recognise his ‘double.’ Or was the displeasure he felt, Freud wondered in the last note of his last chapter on “The Uncanny,” “perhaps a vestige of the archaic reaction to the ‘double’ as something uncanny?” He leaves us with a question, perhaps an encouragement to take this further ourselves.
Freud was not the first of course to link the concept of the ‘double’ with mirroring, the image in the mirror as well as the ‘other.’ Ever since Plato conceived of material reality as a poor representation of the true Forms, others have found man’s double in several contexts. In literature, for instance, Mary Shelley made the monster his creator’s ‘double’ and leaving him unnamed, led subsequent generations of readers to refer to him with the name of his creator: “Frankenstein.” Conrad, too, wrote the ‘double’ in his stories (e.g., in “The Secret Sharer”).
So what has this ‘uncanny’ and ‘double’ to do with haiku, and my theme of reader-oriented matters? If you read my previous posts, you may have noticed I like playing with ideas; though more thought games than thought experiments.
Let me throw this thought in the pot: Isn’t there in haiku a situation in which, when you come to the poem, you become slightly disoriented by the presentation of the two separate, juxtaposed ideas? (Remember the field of energy, in the previous post?) I think there is. The ‘cut’ and the pause in the juxtaposition of two ideas/images are device(s) which open up the extra perspective(s), depth, for the reader; they also create a sense of strangeness, a momentary, uncanny disorientation… until there is the spark of realization that transforms what was strange and uncanny into familiar and understood. Once resolved, the two initially puzzling parts of the poem appear to us the way Freud, relating that vignette, stood in front of his earlier self and its reflection; the way we stand in front of a Moore, a Hepworth, a Lucian Freud, or the narrator in Conrad’s novel and his secret sharer.
Are you with me? What do you make of the thought that the moment of insight or realization is preceded by the uncanny? That the uncanny in haiku involves being confronted by the juxtaposition of two on the surface unrelated – but on a deeper level related – ideas within a limited space? That the haiku moment does itself involve overcoming this sensation of the uncanny?
Finally, before I go, and in case you are interested, I’d like to mention a couple of places, amongst others, I like to visit for reading poetry, essays, information, learning, fun (in addition to “Haiku Matters“, haiku journals and the homepages of haiku societies!). Do let me know your favorites.
On this note, hopefully leaving you with more questions than answers, having raised smiles as well as eyebrows, I’d like to say a big thank you to Colin Stewart Jones, and goodbye to folks who found their way here, from both the writer and reader in me.
The Wikipedia on the Uncanny here Sigmund Freud, ‘The Uncanny’ in The Uncanny, ed. by Adam Phillips (London: Penguin Classics, 2003) p. 121-161. Conrad, Joseph, The Secret Sharer can be read here