“Joining the Dots” in Haibun Today

Joining the Dots

From the compensation for the demolition of his house to make way for a new road, he bought two tiny apartments, a four-poster bed, an amber komboloi, and a pendulum clock. As a child, I considered the wall-mounted, cherry wood, chiming clock to be my granddad’s most striking acquisition. I checked it continuously, comparing its time to the watch my dad had given me before going away to sea.

approaching wind knots matter

But it was the sound of it chiming the hour that stayed with me the longest. Half a century later, I can feel the deep resonance of that chime opening doors to the past.

let’s say the map shrinks afterwards

In Haibun Today, 10: 1, 2017

Pandora’s Box

Pandora’s Box

I step inside a second-hand store in downtown Athens. A musty odor envelops me. A yellow handbag, by the entrance, has pride of place. Plastic dolls of varying sizes, unclothed but for the price tag, line a shelf. Rows of scaffed shoes, and shoes never worn, line the skirting board. Shirts, trousers, blouses, and skirts hang from circular rails. Moths dance in the sunlight. I run my hand across the clothes and continue to the back of the shop, to the books: Fiction, Poetry, Classics, Biography, Bibles. I duck to avoid a doll in military dress.
A glass-topped drawer catches my eye. Sparkling pair after pair of earrings: pearl, gemstone, silver, gold, diamond. I didn’t expect such quality.
The owner, dressed in a beige cotton tunic, approaches. “The Junta General’s wife,” she tells me. “After the trials she could not wear them. Brought them here. In all these years, nobody will touch them, although they come and look.”
A shadow of suspicion crosses her face. She looks me up and down, then relaxes. “Pity. She loved poetry,” she says, fanning herself.

bitter olives . . .
sound of a key turning
in the lock
.

In Haibun Today vol.9, 4, 2015

‘typos’ in RHP 95

typos
in the book of the dead—-
water lilies

In Right Hand Pointing 95, the special, and wonderful, Haiku issue  guest-edited by Eric Burke

RHP, Right Hand Pointing Interesting introduction by Dale Wisely, founder and editor of RHP, who refused to include haiku in the journal for twelve whole years! Well, at long last, Dale!

Read Dale Wisely’s introduction here

KYSO Flash Anthology of Haibun and Tanka Forms 2015

Clare MacQueen just announced the publication of the KYSO Flash Anthology, featuring prize-winning haibun and tanka. My own haibun “Time,” which received an Honorable Mention (in November 2015), is included.

KYSO Flash 2015

This is how KYSO Flash describes the release:

We’re pleased to announce the release of a little book with a mouthful of a name: the KYSO Flash Anthology of Haibun and Tanka Forms 2015. Contributor copies are now on their way to folks.

This is an international collection of 25 poetic hybrid works by 14 authors (plus images by three artists). Works were judged by Roberta Beary, award-winning poet and haibun editor of Modern Haiku, for the first annual KYSO Flash “Best Of” contest. Cash prizes were awarded to seven artists for First, Second, and Third Place, and Honorable Mentions. The judge also selected 19 finalists to appear in this anthology.

The book is available from Amazon.com

‘Intertextuality’ in Sonic Boom 4

Pleased to see my ‘Intertextuality,’ a haibun diptych, in issue 4 of Sonic Boom, published under ‘Fiction.’

Issue 4, is an anniversary issue. Happy Birthday to Sonic Boom, many happy returns!

Intertexuality
(a diptych)
I
A reader asks for help with a patch of garlic plants forgotten and left to overgrow in their garden. Well, I say, dear reader, we are caught between a rock and a hard place. Garlic doesn’t like to be transplanted. And this text is not the right place to ask, or answer such a question. But I can’t resist. It is spring, after all, and I am stuck for ideas. So, to your garlic clump: Let it be. Let it grow, and when it is ripe and ready, when the tips of the green shoots start to brown, dig the plants out. They will be pungent, crisp, and juicy, the plant oils moistening your tongue. Then plant a few individual cloves for next year’s crop. Enjoy the rest.

writer’s block
the school of life
full of lessons

II

Spelt flour, baking powder, butter, milk, and salt. Mix, pat down, shape into rolls, and bake. Serve with olive oil, and garlic from another haibun to dip the bread into. Enjoy!

a frog jumps in—
intertextuality
for beginners

diptych, haibun,

Afterlife

Do you sometimes wonder what happens after the gravediggers return to their workstations and the grieving relatives go home? boat, lake view, resting in peaceWhat is it of the self or soul that’s left inside the box or urn, or floating in the air?  Do you think there may be life after death, a life after this life, an afterlife? Do you fret over reincarnation, heaven, or hell? Poets do.

resting in peace
her mobile phone
keeps ringing

Robert Epstein, a licensed psychologist, and haiku poet, has just edited Beyond The Grave: Contemporary Afterlife Haiku (Middle Island Press, 2015), an anthology of poets’ haiku on the life beyond. Thoughtful, sensitive, measured and moving, as well as studded with moments of humour, and brilliance, the anthology proves an invaluable companion for thinking about the limits (and beyond) of existence.

lilies the meaning of life after death

Leafing through poems on life after death, I let myself be led along lines of uncertainty, of hope, as well as humour, of the ineffable, of mysteries, without the certainties that dispose of thought.

afterlife
that turn of phrase
in her haiku
.
(Poems included in the anthology)

“Time” receives Hon. Mention in the “Best of Haibun and Tanka Forms” 2015, for the KF Anthology

I must be on a roll! Delighted to learn that my haibun “Time” received third honourable mention in the “Best of Haibun and Tanka Forms” 2015, for the KYSO Flash Anthology due out in December 2015.

Roberta Beary, award-winning poet and haibun editor of Modern Haiku, the judge of this contest, wrote:

Stella Pierides’ haibun shows how time, which is also the title, turned the narrator’s expectations of her life’s autumn upside-down. The haiku at the haibun’s end effectively juxtaposes the images and original word choice in lines 1 and 2, lulling the reader along until the surprise of line 3. At first glance the haiku does not seem relevant to the prose. A deeper reading shows that the haiku echoes and expands the feelings of surprise and mortality elicited by the prose, which is exactly what is supposed to happen in haibun.

You can findTimehere

Light on a dark poem

Thrilled to have had a poem of mine discussed at re: Virals, The Haiku Foundation’s poem commentary feature. The poem is from my book In the Garden of Absence (Fruit Dove Press, 2012):

granny’s cushion
pulling the darkness out
pin by pin

It was chosen by Irish poet Marion Clarke, the previous week’s commentary winner. And right on Halloween, All Saints Day… which added extra layers of depth to my haiku. Thank you, Marion! And thank you too, to Garry Eaton and Beth McFarland for their insightful comments.

I love the re:Virals series, and look forward to reading the poems chosen and the commentaries written on them.

Would you like to take part? Anyone can participate. There is a new poem each Friday on the site (chosen by the previous week’s winning commentator) for you to comment on. Simply put your take in the Contact box by the following Tuesday midnight. . .and there you have it, good luck! The best commentary will be reproduced in its entirety on the site and kept permanently in the THF Archives.

Taubenfüttern at the 56. Münchner Bücherschau (19. November – 6. Dezember 2015)

Good news! The German edition of Feeding the Doves, 31 Short Stories and Haibun, Taubenfüttern, is ready for the 56th Munich Book Show 2015. I have already delivered copies of my books to the organisers of the event, which will be taking place at the Gasteig, Munich, from the 19th of November to the 6th of December 2015. Drop by if you get the chance.
Taubenfuettern,Feeding the Doves,book,haibun,short stories,
Pünktlich zur 56. Münchner Bücherschau (19. November – 6. Dezember 2015) erscheint die Kurzgeschichtensammlung „Taubenfüttern“ der in Athen geborenen und heute in Neusäß und in London lebenden Schriftstellerin und Dichterin Stella Pierides. Taubenfüttern ist die Übersetzung des englischen Originaltitels „Feeding the Doves“ (Fruit Dove Press, 2013), der international bestens rezensiert wurde.

Aus dem Vorwort: Die Kurzgeschichten in Taubenfüttern „erkunden wiederkehrende Motive der griechischen Psyche und verfolgen diese zurück auf die besondere Geschichte und Position des Landes. Die Witwe, der alte Einzelgänger, der Immigrant, der Schriftsteller, der Grieche in der Diaspora: Sie alle erzählen uns ihre Geschichte. Die Geschichte des Griechischseins, des Menschseins. Sie sprechen von Liebe und Verlust, Krieg und Bürgerkrieg, Immigration und Diaspora, Emigration, Armut, Religion und Geschichte und vor allem vom Willen zum Überleben. Eins ist ihnen dabei allen gemeinsam: Sie suchen einen Weg aus der Ausweglosigkeit, aus dem Konflikt eines Volkes an der außergewöhnlichen Wegkreuzung dreier Kontinente und verschiedenster Kulturen, aus einer Vergangenheit, die ihren Schultern eine gewaltige Last aufbürdet.“

Neben Taubenfüttern und Feeding the Doves wird der Neusässer Verlag Fruit Dove Press wird mit folgenden weiteren Titeln von Stella Pierides auf der 56. Münchner Bücherschau vertreten sein: In the Garden of Absence (Mikropoesie und Haiku, 2012; ausgezeichnet mit dem Mildred Kanterman Memorial Award 2013, 3. Preis, der Haiku Society of America für 2012 erschienene Bücher) und The Heart and Its Reasons (Kurzgeschichten, 2014).

Amazon.de: http://amzn.to/1WaqAWO

Literature, Art, and Life through the Lens of Haiku

Stella Pierides

Literature, Art, and Life through the Lens of Haiku

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