Category Archives: Publications

‘From the Deep’ in Haibun Today

Haibun Today

 

I’d stopped writing haibun for a while. It was that moment thing. Every time I tried to write in the moment I found it difficult—nay, impossible—to stay in it. All sorts of ideas bubbled up: memories, associations, judgments; my need to appear clever. I wrote about the past, about objects, about regrets that sat in the heart like stones. Too much luggage, too much heaviness, too much of this world. Weighed down I stopped. I hoped for a prompt, a muse who would give me the push I needed.

Then one day, in Finsbury Park, sharing a bench with a woman talking to herself, my wish was granted. Dishevelled, wild-eyed, looking at all directions at once, thin as if she never ate, muscle fibers moving all at once, mumbling continuously. She turned and took a quick look at me, fell silent for what must have been a whole minute, and then started again. I tried to make out what she was saying. I realized she was reciting Homer’s Odyssey. In ancient Greek! I tried to follow. I could not make out whole passages, got lost in translation then caught up with her again. The holes in the recitation made by my absences did not matter. I sat with her for a long time. Darkness fell without me realising. A chill crept up from the soil. The sounds of the city surrounding the Park changed to an indeterminate, persistent buzz. Dark figures approached and slank away. Every now and then she wiped her nose, rubbed her forehead, played with her earring. I followed her recital long into the night. Long after the guards locked the Park gates and the full moon bathed us in silver.

deeper than the wine-dark sea urchins
.
Haibun Today, Volume 11, Number 3, September 2017

‘Of This World’ Frogpond review

Pleased to see a very positive review of my latest book of haibun Of This World appear in Frogpond, the Journal of The Haiku Society of America (Spring/Summer 2017, v. 40:2, pp. 115-116). Grateful to Randy Brooks for his review and generous comments:

Stella Pierides is an accomplished fiction writer as well as poet, which is evident from the careful crafting of narrators’ voices throughout Of This World: 48 Haibun. Some haibun writers load their prose with dense imagery such that it resembles a prose poem, followed by a prosaic haiku. However, in Pierides’ haibun, each haiku extends, not merely repeats, what has already been expressed in the prose. I also like the layout of this collection, with all haibun presented in the recto pages, and the verso pages blank.This layout gives the reader space and time to settle in with one haibun at time. With a variety of approaches and topics, it is clear that Of This World is not a collection of haibun “about me” but rather a collection that asks us to consider, ponder, reflect, and see things in a new light. It is a collection of narrator voices, positioning us to see the human condition, and allowing us to enter into each perspective. Her varyous narrators let us establish a relationship with each unique voice, and depending on the voice and topic, this allows us to construct our own imaginary closeness and distance. One of my favorite haibun is “Replacement Child,” which starts with the refrain, “If you are a replacement child, you are born to parents hoping to heal the loss of a child who died earlier” and ends with the haiku old photos / the dust / never settles. This is an outstanding collection of haibun worthy of study and imitation by those seeking to better understand this literary art.

Available from:
Amazon UK: http://amzn.to/2iSwXA2
Amazon DE: http://amzn.to/2iT7PJx
Red Moon Press, USA: http://bit.ly/2jebbD7

Of This World,haibun,

In ‘New Resonance 10’

It’s been a few months since I shared the good news about New Resonance 10. Well, now it is out and I am in it!


Volume 10 of “A New Resonance 10: Emerging Voices in English-Language Haiku,” edited by Jim Kacian and Dee Evetts, a much-awarded series, is out and it includes my poems. along with those of 16 other contemporary poets!

 

 

It is truly an honour to be a part of this wonderful collection!

I received 25 copies of the anthology, and have several available to order.

Price per copy is $17, including shipping, as well as a postcard with a reproduction of a painting by Maria Pierides (www.mariapierides.co.uk). Please email me for your copy: stella (at)stellapierides.com

Of This World review in Blithe Spirit

Thrilled to discover in the pages of Blithe Spirit, (vol. 27.2, 2017) Journal of the British Haiku Society, a wonderful review of my book!
I quote:
‘overall impression is Brilliant!’; ‘many a gem’; ‘words that weigh you down with the truth in them’; ‘I can confidently say that it has the navarasas (the nine emotions in Indian aesthetics)’.
A big thank you to the editor, Shrikaanth Krishnamurthy.
Of This World
Of This World is available from
Amazon Europe: http://amzn.to/2iT7PJx
Red Moon Press, USA: http://bit.ly/2jebbD7

EarthRise Rolling Collaborative Haiku 2017

The EarthRise Rolling Collaborative Haiku 2017, the world’s longest poem, on the theme of Reconciliation, is now collated and ready to treasure! You can find it in The Haiku Foundation site by clicking here
Many, many wonderful haiku.

I copy below my own contributions to the poem:
melting snow…
a pressing need
to confess
.
and who would hear
the sound of the sea…
reed ears
.
Passion Week—
letting the wild garlic
grow
.
daily grind
a stork pair picking
worms
.
revving up the engine
despite the rain
because of it
.
First appeared in Haibun Today Volume 11, Number 1, March 2017
.
refugee child–
folding and unfolding
his paper boat
.
First prize, Sharpening the Green Pencil, 2017
.
juggling
a pen and a feeding spoon –
the baby’s laughter
.
First appeared in Inner Voices, International Women’s Festival, 2017

.

 

‘Fish Bowl’ in KF7

 

The simulation hypothesis is not new. The idea that we are being held inside a complete, self-sustaining simulated biosphere, observed, and made to believe it is real has precedents in earlier times. Tweaking the basic idea here and there, we can trace it to Plato’s Allegory of the Cave: chained prisoners presented with mere shadows of the real world take them to be the real thing and refuse to believe otherwise. Plato sowed the seed of doubt in the world of experience. Can we ever go beyond the chains of our existence and into the light of the sun? And at what price? Is our existence woven with elements of both, sun and shadows, reason and fantasy, fact and fiction?

Millennia later, we are still wondering. But here, now, with the Church tower bell ringing the hours, sunlight throwing the olives on the table into relief, and grilled sardines scenting the air, the question whether this is the real world can wait.

silver leaves—
the ebb and flow
of time

.

KYSO Flash Issue 7: Spring 2017

 

“refugee child” wins prize!

Delighted to learn that my poem “refugee child” received first prize in the Romanian contest “Sharpening the Green Pencil, 2017.”

sharpening the green pencil,contest,Romania,

Thank you to the judges, and especially Cezar Florin Ciobiza for his thoughtful commentary. And congrats to all participants!

refugee child–

folding and unfolding

his paper boat

A print book with all the poems entered is available from the contest organizers..

Please find the poem and commentary included in the (online) book of the contest, p. 13, here

Fight on! (in re:Virals 80)

What does it mean to wake up facing a fist pressing hard against your window?
How does one cope with such a threat, day in, day out?

The morning presses
its hot fist against the window:
the fight starts.

— Bart Mesotten, Haikoe-boek (self-published, 1986; translation by Max Verhart)

Pleased to share that my take on Bart Mesotten’s excellent poem is featured in this week’s re:Virals, The Haiku Foundation’s haiku commentary feature.
Take a look here 

And try your hand at writing a commentary on the poem I chose (as this week’s winner) to be discussed next: LeRoy Gorman’s “the good soldier.”

“Haiku and the Brain” in Juxtapositions

A week ago,  I mentioned in this blog a second paper, addressing the haiku community, Haiku and the Brain: an Exploratory Study, in Juxtapositions: The Journal of Haiku Research and Scholarship. Well, it is now online over at The Haiku Foundation. Do visit and check it out along with the other papers.

I am looking forward to reading the other contributions. And to receiving my own print copy of the Journal! Judging from the previous issues, it is a joy  to hold and leaf through. And a collector’s item. You don’t want to miss it! More information on how to obtain a copy, see  here

Meanwhile, here is the Abstract for this paper.

Juxtapositions
This paper presents the first results of an interdisciplinary project, bringing together haiku poets and neuro-/cognitive scientists, to investigate the reading of English-language haiku (ELH) as a potentially paradigmatic material for studying the reception of poetic texts. Our pilot study was based on the ‘eye-mind assumption’, that where and for how long we gaze at sections of text reflects processes of information harvesting for meaning construction. The results indicate that the interactive process between the poem and the reader gives rise to characteristic patterns of eye movements (saccades and fixations) across the text from which (i) the position of the cut (after line 1 vs. after line 2) and (ii) the type of haiku (context-action vs. juxtaposition) can be discerned. Finding (i) is of special importance: it provides evidence that the effect intended by the poet can indeed be traced in oculomotor behavior and that, thus, the cut is indeed a potent poetic/stylistic device with a specific effect in the reader. Moreover, readers’ recognition memory was found to be associated with more explicit, conscious-recollective experience of having read a particular haiku if the poem was self-rated to be understood. This suggests that the realization of the haiku’s ‘meaning gestalt’ in the reader’s mind, which may be associated with an ‘aha’ experience, is important for memory consolidation and remembering. Albeit tentative, these findings and conclusions open up interesting lines for future, interdisciplinary research.

Haiku and the Brain: An exploratory study

The relationship between poetry and science has been a long-standing fascination of mine. I am happy to report that for the last couple of years I have been involved in a study spanning the two, using haiku to understand how the brain receives, analyses, and constructs meaning. The first exploratory study has been written up and discussed in 3 papers, one of which can be found in the Journal of Eye Movement Research here
Journal of Eye Movement Research

 

 

Mueller, H., Geyer, T., Günther, F., Kacian, J., & Pierides, S. (2017). Reading English-Language Haiku: Processes of Meaning Construction Revealed by Eye Movements. Journal Of Eye Movement Research, 10(1).  doi:http://dx.doi.org/10.16910/10.1.4
This paper is the more detailed, scientifically oriented description of the exploratory study.

Juxtapositions

 

 

 

A more compact version of the same work, addressing the poetry community, is included in the forthcoming JUXTA 3.1: Pierides, S., Müller, H., Kacian, J., Günther, F., Geyer, T. (2017). Haiku and the brain: an exploratory study. Juxtapositions: A Journal of Haiku Research and Scholarship 3(1). Due out mid March 2017!

‘Out of This World’ in Haibun Today

Out of This World

Haibun Today

In the deepest of dark nights, the idea that we may be living in a computer simulation created by a higher intelligence appeals to me. I muse over the possibility that we may be simulated beings living in a ghost world without realising it!

What if the simulation hypothesis were true? What if we really lived in a version of Plato’s Cave: unable to see beyond the projections on the wall of our senses, we became captives of our perceptions. How would we ever be free? Would there be a way out? Even if a wise philosopher, daring scientist, or escaped prisoner were to tell us of the real world outside our cave generating the projections, we wouldn’t believe them.

Assuming there’d be some way out of the simulation, in those sleepless nights I think of possible glitches in the system, devise tests. This is my latest: try watching pools fill with rain, the noon slide towards evening, the inexhaustible torment of the sea: if you can bear their beauty, be well. If you can’t, you are sure to be out of this world.

revving up the engine
despite the rain
because of it

In Haibun Today Volume 11, Number 1, March 2017

‘dust devils’

dust devils: The Red Moon Anthology of English-Language Haiku 2016, edited by Jim Kacian & the Red Moon Editorial Staff is now out and available to purchase.

dust devils,haiku,anthology,
From their website:

The Red Moon Anthology of English-Language Haiku enters its third decade of gathering the finest haiku and related forms published around the world in English into a single book, the longest run of any book dedicated to ELH. dust devils includes 173 poems (haiku & senryu), 8 linked forms (haibun, renku, rengay and sequences), and 5 critical pieces on the reading, writing and study of the genre.

Honoured to be included!

Don’t delay, order it and enjoy!

 

Of This World, just released by Red Moon Press!

Delighted to announce that Red Moon Press just released my haibun collection, Of This World

Of This World

Stella Pierides has cultivated a terse, idiosyncratic style in her haibun that is instantly recognizable, and as a consequence is one of the shining lights of this burgeoning genre. Of This World certainly is, but it also takes us out of the world at large and into private spaces we feel privileged to witness. A unique and satisfying read.

 

Red Moon Press
Amazon Europe
Amazon UK

I am grateful for the generous comments:

This is how it’s done! Stella Pierides — in a hushed voice — takes me through what it is to be human — and part of the human history from the roots of Western culture in Diogenes’ tub to the ‘modern’ human — with all the questions and doubts, the uncertainties that come from that.

— Johannes S. H. Bjerg, Writer

Of This World’s marvelous, emotionally resonant haibun are steeped in the grace of the garden, rooted in a physical reality so sensuous that you can smell the fragrance of baking bread, of olives and garlic, of lemon and magnolia blossoms — and yet they also spiral on the updraft of metaphor as poet Stella Pierides ‘put[s] our hearts in the shoes of the hummingbird.’

— Clare MacQueen, Editor-in-Chief, KYSO Flash

A treasure trove of language and image. Pierides walks through dark streets of history, through alleyways of memory – emerging in shiny, unexpected places. Compact, urgent and closely observant, these minute offerings will captivate readers of both poetry and short fiction. An enormously engaging collection.

— Michelle Elvy, Writer and Editor

*
Of This World
ISBN: 978-1-936848-80-5
Pages: 124
Size: 6″ x 9″
Binding: perfect softbound

In A New Resonance 10!

I am delighted to share that my work will be included in A New Resonance 10: Emerging Voices in English-Language Haiku, along with the work of 16 other wonderful poets.

A New Resonance is a much valued and award-winning series, sensitively appreciating each featured poet’s work. The New Resonance Poets community, numbering more than a hundred-fifty poets, is a virtual who’s who of English-language haiku poets. I am honoured to be included in this group.

Thank you to the editors Jim Kacian and Dee Evetts and also a big thank you to the New Resonance community for nominating me!

The book (by Red Moon Press) will be available in May 2017.

‘Being Remembered’ in Haibun Today

Being Remembered

Salting is one of the oldest methods of preserving food. Fish, meats, cheeses, cabbage, olives have been cured, brined, pickled to protect them from fungi, bacteria, and other harmful organisms, and thus keep them fresh for longer. Still, it comes as a surprise to read of one more entity to be preserved in salt: memory.

A project titled Memory of Mankind aims to preserve humankind’s most precious milestones by engraving them on special ceramic tablets, and then storing them in salt-lined vaults deep in the Austrian mountains. Small tokens engraved with a map pointing to the archive’s location, and other information helping our descendants decipher the tablets, will be strategically buried around the globe. And what will future generations find to define us? The article suggests sacred texts, treatises, classics, scientific articles, images of buildings, paintings, musical scores. And individual histories, family albums, recipes.

My list would include my daughters’ photos and paintings, multiple drafts of a haibun, favorite poems, a pin cushion and thimble, an amber komboloi, an oil lamp, a pot of basil; my grandmother’s piece of the Holy Cross, the sound of the sea . . ..

family supper
the same joke for
the umpteenth time

.

In Haibun Today Volume 10, Number 4, December 2016

Memory of Mankind website

 

 

 

 

The Path

The Path

Painting,The Path,haibun,Maria Pierides,haiku,Port Isaac,Amorgos,

 

 

At the top of the stairway snaking up the hill, a white-washed chapel and an olive tree. Blinding sunlight. Some way to go yet. The stony stairs are narrow, a couple of hands-width before the cliff falls steeply into the sea.

Slow down, there’s no hurry. Take a deep breath. Feel the rough warmth of the rock. The wind beating against it raises the fragrance of sage, of thyme and marjoram to the skies, erases the silence.

marble wings—
in the distance
windmill ruins

Feel the salt on your lips, the urgent wind tussling your hair.

This history book under your arm, so well-thumbed, leave it here, against that rock, someone coming after you might linger, take a look.

pillars of salt—
propping her foot
on a stone

And the pebble from Amorgos you kept in your pocket all those years, add it to the cairn over there, where the path widens. Let it go. The trail is moments like this, following the light, teetering on the edge of your desires, of your sorrows.

That bench at the top, see it now, under the olive tree? This is your goal. You can rest there. Wise, gentle Persephone will hold your hand.

embalming my tongue
I rest in the shadow
of the silver-leaved olive

Author’s commentary:

stella-pieridesHaving left Greece in my youth, I keep returning to it in my writing, visiting and revisiting the landmarks and landscapes of the country.

Time has a different texture in and about Greece. Sculptures solidifying the past appear at every corner, at every museum: looming, teasing, reminding. Accompanying us into the future. There’s no escaping the sculptures, the poets know it:

“… I woke with this marble head in my hands;
it exhausts my elbow and I don’t know where to put it down.”

Seferis, Mythistorema 

and

Ritsos approaches the sculptures from different, mythical angles, turning the people and landscape into eternal presences:

“…Nowadays, we don’t think much
about Theseus, the Minotaur, Ariadne on the beach
at Naxos, staring out at the coming years.
But people still dance that dance: just common folk,
those criss-cross steps that no one had to teach,
at weddings and wakes, in bars or parks,
as if hope and heart could meet, as if they might
even now, somehow, dance themselves out of the dark.”

Ritsos, The Crane Dance

In The Path, honoring these roots, I try to present this aspect of my Greek inheritance. I fail, of course, but proud to be trying.

Painting “Golden Light, Port Isaac” by Maria Pierides

In Blue Fifth Review, Broadside #44 Fall 2016