Category Archives: Publications

The 3 micro-haibun in MacQueen’s Quinterly

The three micro-haibun from the series-in-progress The Censored Poems

Bone Broth

The very antithesis of cherry blossom. On the one hand and on the other. And in between

breathing
the torpid air of the mausoleum
morels, porcini, chanterelles

*

Off Time

Play if you must. Laugh till you cry. But life is serious. The road is hard, paved with hunger, illness, war. Greed and envy. They will haunt you. Pick apples if you must. Oranges, figs. It won’t make any difference.

Hosannah!
at the nudist beach
my sunglasses

*

Wabi-sabi

Now that that illness accosted me and I stood up to it, I feel entitled to a few wisdoms.

minding the gap
the chilling beauty
of angels 

3 micro-haibun in MacQueen’s Quinterly

Happy New Year 2023! And happy news! Issue 16 of MacQueen’s Quinterly is out!

MacQueen's Quinterly

Filled with excellent work by fellow poets, it makes for a great read! I am particularly chuffed to have 3 of my micro-haibun included from “Censored Poems,” a series in progress. My heartfelt thanks to Clare MacQueen for giving them a home.

In Robert Epstein’s “The Haiku Way to Healing”

Pleased to see Robert Epstein’s anthology is out! “The Haiku Way to Healing: Illness, Injury and Pain” is a significant contribution to haiku literature, a testament to the power of this very short form of poetry to express and share even the most painful of moments.

Honored that my work is included in this collection.

Here is one of my poems from page 207, initially part of a haibun published in “Contemporary Haibun Online” 17.1, and recently included in my juxtaEIGHT article ‘Parkinson’s Toolbox: The Case for Haiku’ (pp.37-61)

dyskinesia…
how tall grass
sways

healing

Body language


Sixty years ago, she swallowed her grandmother’s most valuable possession: a ring, the only object to have survived the forced expulsion from their ancestral lands. The very ring that her grandmother, every night before bed, kissed and raised to the sky as if God needed the daily reminder that he had let her down.

Since that day of the half-accidental ingestion, and for two years afterward, the child was forced to use a potty, so that her grandmother could search its contents for the ring. To no avail.

In the summer of 2021, however, the ring exited the girl—now a grandmother herself—as if of its own volition. Effortlessly. The symbol of her family’s pain that her muscles had smothered, had been released. She heard the sound and to her astonishment, saw the ring lying at the bottom of the toilet bowl. Feeling nauseous, and while trying to steady herself, she accidentally pulled the chain that flushed away her long-held secret. She caught a glimpse of the ring before it disappeared in the swirling water to join the big, open sea.

letting go—
hunger for Scheherazade’s
stories

*

In Drifting Sands Haibun, issue 14, March 2022

For What We are About to Receive

Haibuphoria!

“For What We are About to Receive” my haibun on Drifting Sands— A journal of Haibun and Tanka Prose, Issue 13 (edited by Adelaide B. Shaw) is now online in both Web and PDF versions. https://drifting-sands-haibun.org/…/for-what-we-are…

The whole issue of wonderful haibun is available here:Web: https://drifting-sands-haibun.org/ Enjoy!

Collateral Damage in CHO 17.1

Collateral Damage
After four or five years, the miracle pill—the “gold standard” of Parkinson’s treatment—loses its sparkle. The drug wears off several times a day, allowing symptoms to reappear or worsen. Unless you increase the dosage, you’ll be staring into the abyss: muscle stiffness, imbalance, weakness, lethargy… And if you increase it?

dyskinesia. . .
how tall grass
sways

In Contemporary Haibun Online 17.1

Lullaby in MacQueens Quinterly

My heartfelt thanks to editor Clare MacQueen for publishing this haibun
in issue 7 of MacQueen’s Quinterly. It had originally appeared in the
Wales Haiku Journal.

Lullaby

It’s at its loudest in the early morning hours. Before light dissolves darkness, before the neighbour leaves for work, before the birds start singing, his laboured breathing comes over the baby monitor whispering, gurgling, rattling, spluttering….

I lie awake listening to the crack of thunder, the roaring waterfall, the sounds of the sea emitted from his chest. A car starting, the exhaust backfiring, the train leaving station. The boat reversing in the harbour. Light rain. A soft meow. His breathing renders a whole world. In this soundscape, I make out the stories he told me when years ago he put me to bed.

Soon, light dispels the apparitions, and his breath comes over the monitor soft, steady, regular, lulling me to sleep.

music of the spheres
how we became
human

JuxtaSix

A Happy New Year 2021 to all my friends! A year filled with Health, Love, Creativity, Happiness, and Peace!

Meanwhile, still in 2020, JuxtaSix: The Journal of Haiku Research and Scholarship, the print issue, is available! I just received my print copy from Amazon. It is a very interesting and well-presented issue. I am happy to say it includes an article on Haiku and the Brain that I co-authored. Many thanks to the editors, and reviewers, and well-done to my fellow authors!

Haiku Connects Us

What a wonderful project! The brainchild of Krzysztof Kokot, the International Picture Postcard Project “Haiku Connects Us” brings together poets and poetry from around the world. Beautiful pictures, coupled with haiku…what a treat! So pleased to see my contribution included here!Thank you, Krzysztof!

Signature haiku

Earlier this year, I was very pleased to see that The Signature Haiku Anthology: Including Senryu and Tanka, edited by Robert Epstein, included one of my poems.


Robert Epstein describes a signature poem as “a unique and authentic expression of one’s haiku spirit or sensibility,” a poem by which the poet would wish to be remembered.


Now Gregory Pico, noting in one of his posts that “Some writers selected their most awarded and anthologized poem, while others chose a poem that best captured their poetic style, or portrayed a place or event of deep personal importance,” selected a few of these poems to feature on his website. Mine was included! Thank you so much, Gregory Pico!

whether
I am here or not
returning tide

	

“So that we remember” wins first place in the MacQueen’s Quinterly Ekphrastic Challenge

Thrilled to have won first place in MacQueen’s Quinterly Ekphrastic Challenge “The Magician”!

A heartfelt thank you to Clare MacQueen for selecting my haibun “So that we remember” and congratulations to all participants in the contest!
Read “So that we remember” here: http://www.macqueensquinterly.com/MacQ3/Pierides-Remember.aspx

For the background to the contest and full results see here: http://www.macqueensquinterly.com/Contests/Magician-Results.aspx