Category Archives: Journals

Body language


Sixty years ago, she swallowed her grandmother’s most valuable possession: a ring, the only object to have survived the forced expulsion from their ancestral lands. The very ring that her grandmother, every night before bed, kissed and raised to the sky as if God needed the daily reminder that he had let her down.

Since that day of the half-accidental ingestion, and for two years afterward, the child was forced to use a potty, so that her grandmother could search its contents for the ring. To no avail.

In the summer of 2021, however, the ring exited the girl—now a grandmother herself—as if of its own volition. Effortlessly. The symbol of her family’s pain that her muscles had smothered, had been released. She heard the sound and to her astonishment, saw the ring lying at the bottom of the toilet bowl. Feeling nauseous, and while trying to steady herself, she accidentally pulled the chain that flushed away her long-held secret. She caught a glimpse of the ring before it disappeared in the swirling water to join the big, open sea.

letting go—
hunger for Scheherazade’s
stories

*

In Drifting Sands Haibun, issue 14, March 2022

For What We are About to Receive

Haibuphoria!

“For What We are About to Receive” my haibun on Drifting Sands— A journal of Haibun and Tanka Prose, Issue 13 (edited by Adelaide B. Shaw) is now online in both Web and PDF versions. https://drifting-sands-haibun.org/…/for-what-we-are…

The whole issue of wonderful haibun is available here:Web: https://drifting-sands-haibun.org/ Enjoy!

Collateral Damage in CHO 17.1

Collateral Damage
After four or five years, the miracle pill—the “gold standard” of Parkinson’s treatment—loses its sparkle. The drug wears off several times a day, allowing symptoms to reappear or worsen. Unless you increase the dosage, you’ll be staring into the abyss: muscle stiffness, imbalance, weakness, lethargy… And if you increase it?

dyskinesia. . .
how tall grass
sways

In Contemporary Haibun Online 17.1

Lullaby in MacQueens Quinterly

My heartfelt thanks to editor Clare MacQueen for publishing this haibun
in issue 7 of MacQueen’s Quinterly. It had originally appeared in the
Wales Haiku Journal.

Lullaby

It’s at its loudest in the early morning hours. Before light dissolves darkness, before the neighbour leaves for work, before the birds start singing, his laboured breathing comes over the baby monitor whispering, gurgling, rattling, spluttering….

I lie awake listening to the crack of thunder, the roaring waterfall, the sounds of the sea emitted from his chest. A car starting, the exhaust backfiring, the train leaving station. The boat reversing in the harbour. Light rain. A soft meow. His breathing renders a whole world. In this soundscape, I make out the stories he told me when years ago he put me to bed.

Soon, light dispels the apparitions, and his breath comes over the monitor soft, steady, regular, lulling me to sleep.

music of the spheres
how we became
human

JuxtaSix

A Happy New Year 2021 to all my friends! A year filled with Health, Love, Creativity, Happiness, and Peace!

Meanwhile, still in 2020, JuxtaSix: The Journal of Haiku Research and Scholarship, the print issue, is available! I just received my print copy from Amazon. It is a very interesting and well-presented issue. I am happy to say it includes an article on Haiku and the Brain that I co-authored. Many thanks to the editors, and reviewers, and well-done to my fellow authors!

Haiku Connects Us

What a wonderful project! The brainchild of Krzysztof Kokot, the International Picture Postcard Project “Haiku Connects Us” brings together poets and poetry from around the world. Beautiful pictures, coupled with haiku…what a treat! So pleased to see my contribution included here!Thank you, Krzysztof!

Signature haiku

Earlier this year, I was very pleased to see that The Signature Haiku Anthology: Including Senryu and Tanka, edited by Robert Epstein, included one of my poems.


Robert Epstein describes a signature poem as “a unique and authentic expression of one’s haiku spirit or sensibility,” a poem by which the poet would wish to be remembered.


Now Gregory Pico, noting in one of his posts that “Some writers selected their most awarded and anthologized poem, while others chose a poem that best captured their poetic style, or portrayed a place or event of deep personal importance,” selected a few of these poems to feature on his website. Mine was included! Thank you so much, Gregory Pico!

whether
I am here or not
returning tide

	

“So that we remember” wins first place in the MacQueen’s Quinterly Ekphrastic Challenge

Thrilled to have won first place in MacQueen’s Quinterly Ekphrastic Challenge “The Magician”!

A heartfelt thank you to Clare MacQueen for selecting my haibun “So that we remember” and congratulations to all participants in the contest!
Read “So that we remember” here: http://www.macqueensquinterly.com/MacQ3/Pierides-Remember.aspx

For the background to the contest and full results see here: http://www.macqueensquinterly.com/Contests/Magician-Results.aspx

‘Intertextuality’ in What I Hear When Not Listening

I am very pleased to see my haibun diptych ‘Intertextuality,’ originally published in Sonic Boom 4, included in this Anthology! Grateful to editor Shloka Shankar!

Sonic Boom writes:

We are delighted to announce the publication of our second anthology, ‘What I Hear When Not Listening: Best of The Poetry Shack & Fiction, Vol. I.’

Featuring work by 41 contributors to our journal between the years 2014 and 2019, this collection brings together the best pieces that were published under The Poetry Shack and Fiction sections of the journal from issues one through fifteen.

Order your copy here

‘Noir’ on HaikuLife

Happy International Haiku Poetry Day 2020!
And what a day it was! The Haiku Foundation announced the Touchstone Awards, hosted HaikuLife, the haiku Film Festival, and administered the collaborative poem “EarthRise” on the theme “Nurse.” And everyone had fun!

I contributed a video haibun, “Noir,” to HaikuLife as well as five poems..

My haibun triptych “Noir,” published in MacQueen’s Quinterly, made into Video haibun “Noir,” in collaboration with Rob Ward, was presented as part of HaikuLife on IHPD! Many thanks to Rob Ward, after-effects artist and animator, for bringing the stills to life, and Alex Menzies for permission to use his haunting piece Gretchen from his composition Faust for this video.

Noir

http://www.thehaikufoundation.org/omeka/items/show/5991

Enjoy!

Haiku and Masters of Japanese prints

Great news about the project arranged by Alan Summers, Karen Hoy, and Bertel Martin in collaboration with the Bristol Museum and Art Gallery. Haiku sent by a number of haiku poets (one of mine included), were matched with Japanese block prints and are now displayed on the Museum website. A big thank you to Alan and Karen, and congratulations to all poets who took part.

From the Museum website:

In autumn 2019, poets from around the world responded to a call for haiku, a form of short Japanese poetry, based on Japanese prints in the collection at Bristol Museum & Art Gallery. People sent in more than 800 beautiful, thought-provoking poems from thirty countries worldwide. See the selection below.

Many poems were inspired by woodblock prints in our popular 2018-2019 exhibition series, Masters of Japanese Prints.

The project was arranged by haiku poets Alan Summers and Karen Hoy of creative writing consultancy Call of the Page. The call for poems was linked with a haiku workshop delivered at the museum with writer and producer Bertel Martin of City Chameleon.

Huge thanks to Alan, Karen and Bertel as well as to all the poets who took part. You are bringing the world together through poetry.

‘Noir’ in MacQueen’s Quinterly

Issue 2 of MacQueen’s Quinterly is out and I am delighted to have a haibun triptych included! Many thanks to editor Clare MacQueen! Read “Noir” here and below:

Noir [A Triptych]

Snow white

A small room, white walls, white lino floor. Sheets like snow. Her deep breathing. Hair the color of frost. Beads of sweat on her forehead, in the folds of her neck. She is dreaming.

crow’s call
a night unlike
any other

and her life

A small room. Unmade bed, a chair toppled over. Two plastic cups on the floor. Walls of indistinct colour. The Book of Sand open at the foot of the bed.

no one here
lives like a princess—
mushy peas for tea

as it might have been

A room 5’x5′. No curtains. Aretha Franklin’s “I say a Little Prayer” from the room next door. Birds. On the pavement outside her window, fag ends and chewing gum.

diaphanous—
lives of others in frequencies
I can hear

New article in jemr

Happy to see the article I co-authored “Reading English-language haiku: An eye-movement study of the ‘cut effect’” is now available in JEMR (Journal of Eye Movement Research).

The current study, set within the larger enterprise of Neuro-Cognitive Poetics, was designed to examine how readers deal with the ‘cut’ – a more or less sharp semantic-conceptual break – in normative, three-line English-language haiku poems (ELH)…

Do take a look!

JEMR

JEMR