Category Archives: Publications

‘The Price of Youth’ in Contemporary Haibun Online, April 2013

‘The Price of Youth’ appears in Contemporary Haibun Online, April 2013, vol 9, no 1 and can be read by clicking here

The text is also copied below:

The Price of Youth

The hairdresser swirls and swings her ample hips to the music, her flesh quivering. I catch my reflection in the mirror, lips hanging downwards, and shocked, I make a conscious effort to lift the corners of my mouth. She swipes a hand-held mirror like a credit card behind my head, beaming, proud of her work. I smile back spontaneously, pleased with her work too.

young again
this old seed-head approaches
a new year

‘Seasons’ in Contemporary Haibun Online, April 2013

‘Seasons’ appears in Contemporary Haibun Online, April 2013, vol 9, no 1 and can be read by clicking here 

It can also be read below:

Seasons

His eyes sweep the coffee table, taking in the piles of books, the envelopes, the dust. For a moment, I regret I didn’t put them away earlier, didn’t polish the surfaces.

His gaze returns to rest on me calmly, as if he hadn’t been collecting information for our younger colleagues to talk about. I recall one of the others telling me he’d noticed I kept an atlas on my desk for seven years. What of it? What else could I do before Google maps?

We, the older generation, have become something to be observed, monitored, talked about. She writes haiku, they say, raising their eyebrows knowingly, exchanging glances. She’s aged…

I remember how we watched our children and our friends’ children, amused ourselves with their quirkiness, their funny ways, we mimicked their manner of speech; we wondered at the milk teeth, marvelled at their rate of growth. Now they amuse themselves observing us. We meant well, and so do they, I am sure.

the Earth revolves
round its axis –
rhododendrons again

‘Homewards’ in Haibun Today, March 2013 (the text)

My haibun “Homewards” appears in Haibun Today and can be read by clicking here 

Vol.7, No. 1, March 2013

It can also be found below:

Magnolia
Magnolia Exmouth

Homewards

The garden at the back of the Edwardian terrace which is my London home is small but compact. A Magnolia Grandiflora Exmouth grows in its middle, a variety that keeps its glossy, oblong leaves in winter and blossoms in summer. White, deliciously fragrant flowers grace the tree unfailingly, giving me hours of pleasure upon my return from my European excursions. But the neighbor complains about the tree shading her garden. Each year I chop off branches to keep her happy. Each year I dread hearing from her.

sunlight
a dove crosses
the border

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For Journal publications in 2012 and earlier, please click in the drop-down menu.

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BluePrintReview, issue 30, April 2013

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autumn river
I count the moonbeams
on his hair
.
in BluePrintReview, issue 30, in/stance(s), April 2013

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train whistle in the distance deer tracks
.
in BluePrintReview, issue 30, in/stance(s), April 2013

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city in winter –
loneliness sweeps through
the terraces
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in BluePrintReview, issue 30, in/stance(s), April 2013

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rumours –
rush of water
over stone
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in BluePrintReview, issue 30, in/stance(s), April 2013

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grilled fish –
reducing the moon’s glare
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in BluePrintReview, issue 30, in/stance(s), April 2013

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chicken broth
the slow unravelling
of time
.
in NFTG, January 2013
in BluePrintReview, issue 30, in/stance(s), April 2013

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lavender moon the weight of a butterfly
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in BluePrintReview, issue 30, in/stance(s), April 2013

in Haiku News forthcoming
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first haiku
soothing fragrance
of green tea
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in BluePrintReview, issue 30, in/stance(s), April 2013

 

 

 

Haibun Today, March 2013

My haibun “Homewards” appears in Haibun Today and can be read by clicking here 

Vol.7, No. 1, March 2013

It can also be read below:

Homewards

The garden at the back of the Edwardian terrace which is my London home is small but compact. A Magnolia Grandiflora Exmouth grows in its middle, a variety that keeps its glossy, oblong leaves in winter and blossoms in summer. White, deliciously fragrant flowers grace the tree unfailingly, giving me hours of pleasure upon my return from my European excursions. But the neighbor complains about the tree shading her garden. Each year I chop off branches to keep her happy. Each year I dread hearing from her.

sunlight
a dove crosses
the border

 

“Presence in Absence” is now online!

I am very pleased to let you know that the afterword to my book, written by poet and writer Michael Dylan Welch, titled “Presence in Absence,” is now online on Graceguts: Something authentic and delirious. It is a wonderful essay on haiku and the experience of appreciating and sharing the haiku moment by both writer and reader. I am honored that Michael contributed this  generous essay to my book “In the Garden of Absence.” Michael’s essay “Presence in Absence” can be read by clicking here

And while you are visiting Michael’s site, Graceguts, take a look around this amazing resource: essays, books, book reviews, fun, haiku, haibun, photo-haiga, poetry, thinking, photography, micropoetry — an Aladdin’s cave!

 

‘eating rhubard’ in Haiku News

My haiku in the Haiku News, Vol. 1 No.43 (8 November 2012)

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“Haiku News is a weekly poetry journal which publishes socially engaged haiku, senryu, tanka and kyoka, pairing each poem with a news article to forge links between the poetic, the personal and the political.”

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I paired the following article from The Independent newspaper “Teen spirit: What’s it really like to be a teenager?
with the follwoing haiku:

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eating rhubarb
faster than it grows
young love

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The Wall

spring morning

she presses her palm against

the wall

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The Wall (Die Wand), is a film directed by Julian Roman Pölsler (Austria/Germany, 2011)

and based on Marlen Haushofer’s (1963) best-selling eponymous novel. I have not read the

novel, though now that I saw the film, I am going to.

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I mention it here, not only because it is a great film I just watched, but also because it connects

with my own interests and forthcoming collection “In the Garden of Absence.”

It is on the same theme of loneliness and the development(or not) of the capacity to be creatively

alone.

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In the story, right from the beginning, a woman on a trip to the Alps and shortly after she is

separated from the couple she is travelling with, is mysteriously trapped inside a transparent

wall surrounding her hunter’s lodge. While there is a big and beautiful area inside this wall –

including mountain peaks, meadows, a lake, forests – there is no contact  with the outside

world and no way of knowing whether it still exists.

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Without human companionship and with only her own resources to survive, her will to live

is tested. Through her sense of responsibility and, I would say, inner strength, she is able to

move towards a realization of the nature of her predicament and acceptance of loneliness,

to an understanding of the human condition in general and the role love plays in it.

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A Robinson Crusoe without happy endings, but with an insight that goes to the heart

of the human condition. I look forward to the book.

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The film’s slow-moving, original and atmospheric cinematography enhances the story

and provides the right background for the perfect performance by Martina Gedeck.

A thought-provoking, emotionally demanding as well as rewarding film.

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For a summary of the book see here

and film review here

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spring morning

she presses her palm against

the wall

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Solitude and aloneness

Do you ever wonder about the difference between loneliness and the capacity to be alone? Between the soul-destroying feeling of utter despondency, emptiness and despair, on the one hand, and on the other, the capacity to be creatively alone, to enjoy the space and freedom aloneness gives and to be productive? I do, often. I have been putting together a small collection of micropoetry, haiku, and senryu on this theme. Titled “In the Garden of Absence,” the collection aims to  reflect on this difference, without, I hope, rushing to answer any questions. Even if I had the answers…

Interested? D. W. Winnicott, the British psychoanalyst and paediatrician originally introduced this concept. If you have access to his work, fine. If not, Jean-Bertrand Pontalis provides the best explanatory note of Winnicott’s concept  (on this capacity to be alone) in the online Gale Dictionary of Psychoanalysis.

Risking oversimplification, I would say here that the capacity to be alone is not the capacity to simply bear being alone until the other person returns, but a capacity to feel and creatively use the space and freedom which being separate from the other person offers. In terms of the child, Winnicott argues, it is the capacity to disentangle herself from ‘mother’s madness’ or the most primitive needs of the mother’s attachment to her own offspring. It is in this sense, I believe, that this capacity, paradoxically, is compatible with the other’s or, in that case, mother’s presence.

I quote from Pontalis here:
“To be able to tell oneself  “I am alone” without feeling forsaken—such is the prerequisite for what Winnicott considers an essential achievement: to be assured of a sense of continuity as between oneself and the other person, or, better still, to perceive discontinuity in a permanent bond, or even its rupture, as the very precondition of that’s bond’s survival.”

Buffling? Visit the whole Pontalis entry when you have a moment… of solitude! Click here

Chrysanthemum, October 2012

Chrysanthemum, the Internet Magazine for Modern Verse Forms in the Tradition
of Japanese Short Poetry, issue 12, 2012 is out. I am delighted to have three
of my haiku in this issue, translated into German. They can be found on page 21.
The Magazine can be downloaded from here
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Pleiades —                             Plejaden —

a hunter lowers                   ein Jäger senkt

his gun                                    sein Gewehr

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Translation: Chrysanthemum Editorial team.

News 28 April 2011

Wonderful news! One of my haiku, ‘Chrysalis,’ was highlighted in issue 17 of Haikuverse, in Melissa Allen’s Red Dragonfly. Honored indeed to be included alongside, well, I don’t even dare mention names… you have to go and read for yourselves.

Melissa Allen’s blog is a must read if you are interested in Haiku, Haibun, Haiga and related forms. Informative, and fun to read, it will blow your socks off; it will surprise and delight you edition after edition. Go and see…

Also in my news: my very short story (vss) ‘Cruelty’ has been selected to be included in the Upper Rubber Boot Books anthology of work from Seven by Twenty. The anthology will be named 140 And Counting, and is expected to be released as an e-book by the end of 2011.

Finally, forthcoming:

Haiku ‘Vineyard’ in Shamrock, the Haiku Journal of the Irish Haiku Society

Haiku ‘Zen Garden’ in ‘A Handful of Stones

Flash Fiction in 52250 A Year of Flash: ‘Fishing’