“Unique and surprising, tight and passionate language”
“Every once in a while, I get a book in the mail that is unique from anything else I’ve ever read. As a collection of short stories, Stella Pieride’s Feeding the Doves has given me a new definition of what short means, not to mention how quickly a story can be told… ”
“… I found her writing a refreshing and unique collection.”
autumn butterflies
the way she flutters
her eyelashes
*
across the chirping
of the pine crickets
a splash of red
*
pine crickets
too late
to let go
*
autumn butterfly
I never thought
I’d give up
*
pine crickets
I too hide
in the pine
* Diogen Pro Kultura magazin: Third Place (tied) Autumn Haiku Sequence
Selected by: Đurđa Vukelić-Rožić Deputy editor in chief DIOGEN pro culture magazine for HAIKU Ivanić Grad, Croatia Sabahudin Hadžialić Editor in chief DIOGEN pro culture magazine 14.12.2013. Einhorn Verlag S. Begman, Küsnacht, Schweiz 14.12.2013.
What an exciting month December has been! And it is only the 4th of the month!
The Haiku Foundation’s Per Diem: Daily Haiku, a feature I project manage, is scaling new heights this month. Michael McClintock, in his collection “31 Ways of Looking at a Mountain” is taking us for a mountain hike. Each day a new view here
The Haiku Foundation Fundraising campaign is continuing up to the 6th of December with a number of releases of new material and features. On the 3rd, the new social media account on Pinterest was rolled out. I am pleased to have played a part in this one.
Then there is a new haiga by Jim Kacian, a new digital library interface… there is an endless stream of enthusiasm and creativity coming out of the The Haiku Foundation. And the fundraiser releases continue for three more days!
Are you missing out? Register for blog post notifications via email (see the THF contact page), follow the THF on Twitter: https://twitter.com/haikufound
Happy Thanksgiving, and Happy Chanukah to friends who celebrate it. And to the rest of my friends, wherever they happen to be in the world, who would be happy for the opportunity to give thanks for blessings received any time of the year, Happy Thanksgiving too!
I am giving thanks for my family and friends, the creative, nourishing and supportive haiku communities and writers’ groups I am involved with around the world, and the gift of every day on this Earth I continue to receive.
A special note of thanks to the The Haiku Foundation for its breathtaking work on the many and varied haiku projects it sustains and furthers. It too is giving thanks and fundraising for its work during the period from Thanksgiving through St. Nicholas Day. Please take a look to see what they’ve been up to this year, as well as the exciting program they have planned for the coming days here.
While you are visiting their site, I encourage you to sign up for their email notifications, follow them on Twitter and like them on Facebook: this way you will be kept up to date with all their offerings.
Over at the The Haiku foundationsite, there is talk of naked haiku! Haiku, that is, taken away from a haibun, standing out on its own without the prose it was meant to accompany.
‘
I shared one of my own as a comment on the THF November Per Diemblog post. Here it is:
.
another country
the snowflakes taste
of salt
.
(This haiku was originally part of the haibun “Parcels”, published this year in Frogpond, 2013, 36:2)
Literature, Art, and Life through the Lens of Haiku
The Haiku Foundation Fundraising campaign is continuing up to the 6th of December with a number of releases of new material and features. On the 3rd, the new social media account on Pinterest was rolled out. I am pleased to have played a part in this one.
A special note of thanks to the The Haiku Foundation for its breathtaking work on the many and varied haiku projects it sustains and furthers. It too is giving thanks and fundraising for its work during the period from Thanksgiving through St. Nicholas Day. Please take a look to see what they’ve been up to this year, as well as the exciting program they have planned for the coming days here.
