austerity —
bleeding hearts growing through
cracks in the marble
Prompt: austerity
life cycle—
keeping still
while moving

.
In the background, painting by Maria Pierides, slightly altered in the process of making this haiga.
catching
the last rays. . .
buttercups
From my walk along the Schmutter
Photo of bridge over the Schmutter, Neusaess
*
that look on her face . . .
a feather stuck
to the egg
.
Prompt: question
.
Nepal quake fluttering prayer flags
.
Nepal quake
resin seeping from
the pine
.
Prompt: quake
swaying branch
the hummingbird here
and not here
.
moment of stillness
just before the light
changes
From In the Garden of Absence (Fruit Dove Press, 2012), my book of haiku and micro poetry.
The ‘hummingbird’ poem is also included in my film presentation for HaikuLife ‘Haiku Journey‘ organised by The Haiku Foundation and shown together with several other entries to the event on International Haiku Poetry Day, April 17, 2015. The event was an enormous heart-warming, global literary celebration of haiku, and if you missed it, you can catch up through the blog posts on the THF site and the links here
in light of
wild violets…
nightcap
в светлината
на дивите теменужки…
нощна шапчица
*
dawn chorus
the night shift spills out
into the street
утринен хор
нощната смяна се изсипва
на улицата
*
These two haiku, first posted to THF EarthRise, the IHPD rolling haiku collaboration 2015, were translated into Bulgarian for Wild Lilacs, a blog of Bulgarian poets: Thank you Maya Lyubenova, Tzetzka Ilieva, Vessislava Savova!
At the beginning of this year, I wrote about my visit to Kettle’s Yard, University of Cambridge, to view their collection of paintings by Alfred Wallis. At that time, I was inspired to put together a presentation for the HaikuLife FilmFest, organised by The Haiku Foundation. The presentation, Haiku Journey, was shown on International Haiku Poetry Day, April 17, 2015, together with a good number of other films. It is now archived on the site here.
Poetry and arrangement: Stella Pierides; film editing: Rob Ward
Images: by kind permission of Kettle’s Yard, University of Cambridge
Enjoy!
In 2015, The Haiku Foundation celebrates haiku on a global scale, encompassing the work and achievements of haiku poets from around the world. From this year on, International Haiku Poetry Day (IHPD), replacing the THF’s National Haiku Poetry Day, becomes the biggest celebration of haiku poetry word wide. On April 17 each year, haiku poets, haiku poetry fans, and organisations will be getting together under the auspices of the THF in order to honour the depth, reach, creativity, and joy of the genre we have come to love.
For this year, the Foundation has organised a series of events, from local haiku readings and celebrations, over HaikuLife, a FilmFest showcasing work submitted by individuals and organisations, to EarthRise, a rolling collaborative poem.
On April 17th, 2015, from 12:01 A.M. at the International Date Line, a wave of haiku contributions begins and rolls throughout the day, with poets offering their haiku at dawn their local time. The finished collaboration, on the theme of Light, will be permanently archived on the THF site.
I am very much looking forward to the day, and the many exciting contributions from poets around the globe. I will be setting my alarm, and posting my own haiku to the inaugural EarthRise.
I am also delighted that the FilmFest, HaikuLife, features a short film of my haiku together with paintings by Alfred Wallis (from the excellent Kettle’s Yard, University of Cambridge, collection). I created this film with the (much appreciated) support of Rob Ward, After-Effects Artist and Animator. Besides my presentation, there are at least 12 other contributions by haiku poets and organisations, amounting to almost 90 minutes of film.
I hope you will be able to join in the fun on IHPD.
For times, url, and other information about HaikuLife and EarthRise, as well as the local (to the US) readings, please visit the Troutswirl blog at The Haiku Foundation site.
Update April17, 2015
Happy International Haiku Poetry Day, folks! Contribute your poems to EarthRise, watch the HaikuLife films, go to the readings, enjoy the day!
My short film, Haiku Journey, is shown today — together with a number of other films — and will be permanently archived on the Haiku Foundation site. Please see here
For an introduction to the Foundation HaikuLife project, and the list of all projects shown, please click
My longer poem Seferis’ Houses, republished in Little Eagle’s RE / VERSE, April 9, 2015. To read the poem, please click here
Artwork by Ralph Murre, after a photo by (or of?) Giorgos Seferis
Little Eagle Press presents poems previously published. Well worth another look, we think
Paying homage to Seferis, the poem directly refers to Seferis’ ‘Thrush’, a poem he wrote in 1946. You can read the poem on the Poetry Foundation site.
For information about Giorgos Seferis, see the Wikipedia entry.
You may also want to take a look at this longer, Princeton Uni. entry with photos, or at Edmund Keeley’s interview with Seferis in the Paris Review.
skull MRI
butterfly eggs readying
to hatch
.
Prompt: a Rorschach test image (Gabi Greve)
World Kigo Database, Haiku topics, Theory and Keywords: Rorschach
See more poems here
re: falling leaves
he says he still
loves her
.
In Frogpond, 2015, Vol. 38:1, p. 10
waiting room
how iron rust
grows
walking on ice …
my full attention
to the moment
.
A Hundred Gourds 4:2 March 2015, p. 15
ash wednesday
the oud workshop closed
during the war
.
.
you and I this winter ellipsis
.
Modern Haiku vol. 46.1 winter-Spring 2015
creature comforts
I pack a haiku
for Mars
olive press
in the Cretan mountains
liquid gold
.
Prompt: oil
the sum total
of experience…
blood orange
I took this photo a few months ago, in 2014, during a visit to the Duveen Galleries, Tate Britain. The photo is of a small part of Phyllida Barlow’s installation, ‘dock’. You can read an account of my reaction to her work here.
still life
a gull breaks
the silence

This is a photo I took of Konstanz harbour, on Lake Constance, or Bodensee, as it is also known in Germany.
wikipedia entry for Lake Constance:
http://en.wikipedia.org/wiki/Lake_Constance
pinpricks of icy rain…
how damp wood spits
.
In Blithe Spirit, 25:1, p. 4.
Blithe Spirit is the Journal of the British Haiku Society
nature’s numbers
the infinite sweetness
of cup-shaped blooms
What do Pattern, Poetry, and Polemics have in common? The Arts and Crafts Movement’s poet, novelist, publisher, translator, architect, designer, craftsman, retailer, environmentalist, and social activist William Morris! I was delighted to be able to visit the William Morris Gallery, in Walthamstow, which tells the story of William Morris and his multiple achievements: the elaborate, detailed, inspirational designs and their manufacture/production/application; the poetry and prose; the perfectly hand-crafted books; the politics, speeches and support for the Victorian poor… Morris applied himself with awe-inspiring energy and dedication to an astonishing array of disciplines.
There’s an organic unity in his work, each piece containing seeds from whatever he’d been working on, in whatever field. Despite this connectivity and continuation in his work, Morris has often been strongly and unfortunately linked with mere wallpaper design. I found this contradiction interesting in itself, as if the critics and the viewers, the consumers of his work, could not cope with someone different to themselves, someone excelling in many fields, rather than just one, if at that. It is not the only contradiction. The critical assessment of his work rests on this ground of contradictory perception, for example, when it is pointed out that Morris decorated the houses of the rich while campaigning for the rights of the poor.
Yet, Morris himself was aware of the connections between disciplines and the depth achieved when we become conscious of them. Lecturing on design, in 1881, he claimed,
‘any decoration is futile … when it does not remind you of something beyond itself’.
Beyond Morris’ decorations, patterns, and wallpapers lie references to the medieval world, history and myth, nature and society, beauty, and above all the assertion that we are all made of the same stuff. Although referring back to a pre-industrial age, his is a utopian vision of humans fulfilling their creativity, and themselves, in self-determined, non-alienated work, within an egalitarian society that supports them in this endeavour. In those terms, in addition to his role in the Arts and Crafts movement, he comes across as a social thinker and moral visionary working towards a better world.
tenements
the heart of a soft
berry
Here is a link to the amazing William Morris Gallery collection
The wikipedia link here
Between 1958 and 1973 Kettle’s Yard was the place Jim and Helen Ede called home. In 1966, while still living there, they gave it to Cambridge University. It is now a living museum and gallery, showing the Edes’ collection as arranged by them. Artworks alongside furniture, glass, ceramics and natural objects such as pebbles and wood, with the aim of creating a harmonious whole. Jim Ede’s vision was of a space that should not be
an art gallery or museum, nor … simply a collection of works of art reflecting my taste or the taste of a given period. It is, rather, a continuing way of life from these last fifty years, in which stray objects, stones, glass, pictures, sculpture, in light and in space, have been used to make manifest the underlying stability.
Today each afternoon (apart from Mondays) visitors can ring the bell and ask to look around (there is no entry fee). The house is said to be a work of art in itself. Warm, generous, and well-informed guides are available to help visitors ’see’ and understand the spirit and history of the house.
Christopher Wood, Flowers, 1930
A wonderful slideshow with Wood’s paintings can be found here
More paintings: Kettle’s Yard
across the years
the quiet breathing
of anemones
.
(And yes, in case you are wondering, I did visit again)!
I’ve been reading Daniel Klein’s ‘Travels with Epicurus‘, and reflecting on the concept of play in relation to the life stages we all go through.
Epicurus was an ancient Greek philosopher and the founder of the school of philosophy called Epicureanism. Born on Samos, he lived in Athens and Asia-Minor. Epicurus is known for teaching that the purpose of philosophy is to attain a happy, tranquil life.
Answering the question “How does one make the most of one’s life?” Epicurus’s answer, according to Klein, was that
the best possible life one could live is a happy one, a life filled with pleasure. At first look, this conclusion seems like a no-brainer, the sort of wisdom found in a horoscope. But Epicurus knew this was only a starting point because it raised the more troublesome and perplexing questions of what constitutes a happy life, which pleasures are truly gratifying and enduring, and which are fleeting and lead to pain, plus the monumental questions of why and how we often thwart ourselves from attaining happiness.
I have to admit that I experienced a pang of disillusionment when I first realized that Epicurus was not an epicurean… i.e. a sensualist with gourmet appetites. Let me put it this way: Epicurus preferred a bowl of plain boiled lentils to a plate of roasted pheasant infused with mastiha (a reduction painstakingly made from the sap of a nut tree), a delicacy slaves prepared for noblemen in ancient Greece. This was … Epicurus’s hankering for personal comfort, which clearly included comfort foods. The pheasant dish titillated the taste buds, but Epicurus was not a sensualist in that sense: he was not looking for dazzling sensory excitement. No, bring on those boiled lentils! For one thing, he took great pleasure in food he had grown himself—that was part of the gratification of eating the lentils. For another, he had a Zen-like attitude about his senses: if he fully engaged in tasting the lentils, he would experience all the subtle delights of their flavor, delights that rival those of more extravagantly spiced fare. And another of this dish’s virtues was that it was a snap to prepare.
(From Waterstones, Non-Fiction Book of the Month)
The defining concepts of such a happy life, according to Epicurus, are ataraxia — i.e. peace and freedom from the disturbances of anxiety and greed — and aponia — the absence of pain — achieved through living a non-demanding, humble life surrounded by friends.
Klein’s book, taking its cue from this philosophy, is asking how best to think about growing into old age, and how best to live through this stage of life. The tendency nowadays, Klein points out, is to escape ageing, by spending our lives trying to remain forever young: sport, transplants and implants, botox, diets, all means to prolong and promote youthful looks. But are we missing out on an important stage of our lives, Klein asks.
To look into this question, the author packed a number of books, and staying on Hydra, Greece — where travel is restricted to going on foot, cycling, or riding a donkey — meditated on the issue. The answer he came up with in this book is playful, but I have no intention of reproducing it here. Suffice to say that with all the turmoil of this week’s Greek elections and heated debates, a calm book on growing older, set on a Greek island, juxtaposing the old with the new, matching island life with world-renowned philosophers, provides a much needed good, as well as romantic, counter-balance.
In his unhurried pace, watching a group of friends playing a game of cards, walking the hilly paths of the island, discussing beauty and youth, Klein takes us on his Epicurean journey, savouring the moments of insight, the juxtapositions of beautiful descriptions of nature and human nature with philosophical descriptions of ‘lived time’.
I enjoyed this quirky book, slowed down, looked up references to this and that… thought of acquaintances in Greece who, troubled by their country’s misfortunes, contrary to the Hydriotes observed by Klein, have all but forgotten their ‘ataraxia’; have meditated on the notions of austerity vs growth, and their effects on the mind, long enough.
A timely reminder of Epicurean notions then, a needed breath of fresh air? A New Year’s resolution? Even for those who may not be lacking in material resources, but may be short of (perceived) time?
The language in the book is simple, the images memorable, the light clear… So, keep calm, keep thinking, experiencing… it’s not that difficult to be authentically old… one day… eventually! Alternatively, one can always become a Stoic!
full snow moon
the tightrope bathed
in light
.
You can read the first chapter of this book here
The pre-Socratic Greek philosopher Thales of Miletus (624 – 546 BC), is credited with the saying,
A sound mind in a sound body,’
pointing to the close relationship between physical exercise, mental equilibrium and the ability to enjoy life. It seems a good incentive to incorporate in the New Year’s resolution to improve our health, whatever the state we are in.
So, partly in the spirit of this, on the 15th of January each year, a global event takes place: Greek Dinner Around the World. The main goal is to celebrate Greek culinary culture, Greek cuisine as it is known in every part of the globe, and promote the people, authors, chefs, businesses who are connected to Greece. Everyone is invited for a Greek dinner with friends and family. Partners to this initiative host a dinner using Greek products and Greek dishes. Afterwards, they share a photo of their endeavors and experiences, and tweet using the hashtags #GreekDinner and #EatGreek.
This year, for the second time, I took part in the global celebration of Greek culinary culture, by sharing a delicious Greek meal with friends and family. And books, of course. We met at Lemonia, the old favourite in Primrose Hill. The food was good – especially the fish, which was a ‘miracle,’ to use a Greek expression – the company excellent, and well, the evening a treat. Only problem: we all ate a little too much. We discovered the limits to Thales’ saying. After a point, the amount of food, and drink, interfere with both mind and body! Which led us to resolve next year to follow another Greek saying: the Aristotelian
Παν μέτρον άριστον, i.e., Everything in moderation
Many thanks to Keri Douglas for her tireless efforts in promoting this event.
There was also food for thought. I brought two of my books –collections of short stories on Greek themes — to the table: Feeding the Doves, and The Heart and Its Reasons
και του χρονου