‘overall impression is Brilliant!’; ‘many a gem’; ‘words that weigh you down with the truth in them’; ‘I can confidently say that it has the navarasas (the nine emotions in Indian aesthetics)’.
Imagine your left hand is being made to feel a brief vibration and you’re being asked to estimate how long this vibration lasts. In one version of this scenario, you are holding a small ball in both hands; in another, your right hand is free. And in both versions, you see a safely suspended, potentially catchable ball moving towards you.
Would your estimate of the vibration duration be the same in both versions, or would it be different? Scientists tell us that we overestimate the duration of the vibration when our right hand is free.
Surprised? The scenario may sound unlikely, but all for a good reason: the investigation of the experience of tactile time. Perhaps unlike other bodily times, touch time appears as if time slowed. Your hand is free and ready to interact with the possibilities of a touchable object. The present moment gathers momentum: memories, anticipations, balance, co-ordination, visual cues… the time your father threw you a ball to catch, your sister’s expert throw, your playful nature entertaining the idea to catch the ball and surprise the scientists… Time slows for the possibilities; time slows with possibilities. The ‘touch’ body and the ‘touch’ mind ready themselves for the game.
a deer appears at the edge
of the woods
Bringing poetry and science together!
Serendipity! On the day I was informed that my haibun Touching —inspired by a scientific project carried out at LMU university Munich — would be featured on the LMU website, I came across an article in the New Statesman discussing the close relationship between poetry and science!
OK, may be not so much serendipity, as I often check out writings about the relationship between poetry and science, and have even contributed to a couple of papers on precisely this matter. The papers are forthcoming, watch this space …
Each year around the 15th of January, Greek Dinner Around The World Day, I am reminded of The pre-Socratic Greek philosopher Thales of Miletus (624 – 546 BC), who is credited with the saying,
A sound mind in a sound body
How true! Research from many scientific disciplines has been confirming Thales’ saying ever since. Encouraging us to take up exercise of all sorts to keep the blood moving, arteries in good nick, and prevent harmful tangles from forming in the brain, scientists have gone out of their way to emphasise prevention. In this endeavour, the Mediterranean diet has been a major pillar, oiling the wheels of the temple to the mind!
In the context of this close relationship between physical exercise, bodily well-being, mental equilibrium, and the ability to enjoy life, you can imagine the enthusiasm with which I am taking part in this global event.
Admittedly, the main goal is wider: to celebrate Greek culture, Greek cuisine as it is known in every part of the globe, and promote the people, authors, chefs, travel and other businesses connected to Greece. Partners to this initiative host a dinner using Greek products and Greek dishes, share experiences and photos of their event, and tweet using the hashtags #GreekDinner, #GreekDinnerAroundTheWorld, and #EatGreek.
This year I took part by sharing a delicious Greek meal with friends and family. And books, of course. We met at an old favourite restaurant and I brought my latest book, Of This World (Red Moon Press, 2017) — a collection of haibun (prose with poetry) with several poems on Greek themes / settings — to the table.
The food was exceptionally good – the company excellent. The only problem was the usual problem: we all ate a little too much. Like every year, we were reminded that after a point, the amount of food, and drink, interfere with both body and mind! Once again we resolved to follow another Greek saying: the Aristotelian
Παν μέτρον άριστον, i.e., Everything in moderation
Many thanks to Keri Douglas for her tireless efforts in promoting this event.
και του χρονου
and if you are interested in a copy of my new book:
Red Moon Press (USA)
Stella Pierides has cultivated a terse, idiosyncratic style in her haibun that is instantly recognizable, and as a consequence is one of the shining lights of this burgeoning genre. Of This World certainly is, but it also takes us out of the world at large and into private spaces we feel privileged to witness. A unique and satisfying read.
I am grateful for the generous comments:
This is how it’s done! Stella Pierides — in a hushed voice — takes me through what it is to be human — and part of the human history from the roots of Western culture in Diogenes’ tub to the ‘modern’ human — with all the questions and doubts, the uncertainties that come from that.
— Johannes S. H. Bjerg, Writer
Of This World’s marvelous, emotionally resonant haibun are steeped in the grace of the garden, rooted in a physical reality so sensuous that you can smell the fragrance of baking bread, of olives and garlic, of lemon and magnolia blossoms — and yet they also spiral on the updraft of metaphor as poet Stella Pierides ‘put[s] our hearts in the shoes of the hummingbird.’
— Clare MacQueen, Editor-in-Chief, KYSO Flash
A treasure trove of language and image. Pierides walks through dark streets of history, through alleyways of memory – emerging in shiny, unexpected places. Compact, urgent and closely observant, these minute offerings will captivate readers of both poetry and short fiction. An enormously engaging collection.
— Michelle Elvy, Writer and Editor
Of This World
Size: 6″ x 9″
Binding: perfect softbound
washing my hands of spring rain