Tag Archives: haikufound

Evening light

evening light ...
using AI to give it
warmth

Interesting! After I posted the haiku, above, I checked AI for its opinion. AI came back with the following poem:

AI enhances the scene,

Evening light gains warmth and glow,

Human eye still guides.

In its poetic response, AI addressing the question about ownership in collaboration, tryies to reassure me about any concerns I might have regarding authorship. In the interplay between human creativity and AI enhancement, I am told, I still have the rights to my vision!

Yes, but for how long?

Felt world

Honored and thrilled that my haiga series “Felt World” is featured this November 2025 at The Haiku Foundation website.

Haiga Galleries.

“Felt World in the title of this Gallery alludes both to the world as experienced through our senses and emotions, in the immediate, embodied understanding of it; and the world of those interested in felting, in transforming mainly wool fibres to the matted material referred to as felt, through a process involving heat, moisture, pressure, and elbow grease.

Take a look here

For background information on how I came to felting and haikufelting, you may find this essay interesting: Felting Haiga [or, Hairballs to Haiga: The Evolution of a New Hybrid, “Haikufelting” here

The Past Present (Haibun in Blithe Spirit)

Every Wednesday morning, seven of us serving the life sentence of Parkinson’s, tear through Mering Heath, in the south of Germany. Brushing against coarse grass and heather, stabbing the ground with our walking sticks, thrusting ourselves forward, we fill our lungs with the heather-scented air.

During today’s cooling-down session – swinging upper body left and right, extended arms loosely following, slowly catching our breath – the leader of our group relates the history of the place. In the 1700s, a building housing the Court of Justice stood exactly here by the Galgenbach, the Gallows stream. It was here that executions ordered by the Court were carried out. Crowds gathered, watched and cheered with the tightening of each noose, with each trap door opening. They watched the 15 minute-dance of the hanged, and then walked home.

hangman’s elm
the ancient tree creaks
and groans
.
In Blithe Spirit 35. 2 p. 70

The Clock and Rooster

What would you do if you knew this was the last night of the world? In Ray Bradbury’s short story and the recent Chamber opera inspired by it, couples, who have all dreamt the same dream about the world’s end, struggle with this question. Displaying doubt, disbelief and denial, as well as acceptance of their forthcoming demise, they argue, fight, hug, open their most expensive bottle of wine. The mundane response when facing the extraordinary. After all, the end of the world doesn’t sound as alarming as the Apocalypse!

And yet and yet. What would you do? What would I do? It is time to explore what our answer might be. Even more so than in 1951 when the short story was published, even when certain diseases propel some of us to an accelerated end. Seconds away from disaster, according to the Doomsday Clock, with wars erupting in ever more places and wildfires scorching dearly held assumptions, it comes to this: there is no time to lose.

dreaming…
sweat rolls down
midnight

*

Haibun responding to “The Last Night of the World”, a Chamber opera by Agustí Charles inspired by Ray Bradbury’s short story of the same title. The State Theater of Augsburg commissioned it, and it premiered on 24.1.2025 at the Brechtbühne im Gaswerk. I saw it a few days later.

Contemporary Haibun Online’s Featured Writer

I am greatly honored to be the Contemporary Haibun Online’s Featured Writer for August 2024. My heartfelt thanks to editor Rich Youmans and his team.

Dear Readers and Friends, I hope that you will find the time to read my ‘personal’ reflections on haibun.

And while visiting, you will see that Issue 20.2 is packed with wonderful work by exceptional writers. A writers’ and readers’ treasure trove!