Tag Archives: Asia Minor

Feeding the Doves: 31 Short and Very Short Stories, and Haibun

Feeding the Doves  Now available to order from amazon.co.uk, amazon.de and Kindle

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“Unique and surprising, tight and passionate language”

“Every once in a while, I get a book in the mail that is unique from anything else I’ve ever read. As a collection of short stories, Stella Pieride’s Feeding the Doves has given me a new definition of what short means, not to mention how quickly a story can be told… ”

“… I found her writing a refreshing and unique collection.”

Read Daniel Burton’s review here: Attack of the Books!

The review is also available on Amazon.com

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Extract from Mia Avramut’s review on Amazon.co.uk:

“From a symbol of the divine (“A Life-Changing Story), to an object of meditation and near-worship in Syntagma Square (as in the title story), to their possible end in a soup kitchen destined to feed hungry children (“Pigeons”), doves’ journey functions as a counterpoint to the human sacrifice and quest for nourishing truths. Several glimpses into silent, sometimes tortured lives, end in haiku. It serves to deepen the reader’s understanding, and add new dimensions to the prose. And it’s a treat, as Pierides is both an archeologist of experiences, and a mistress of haibun.
Since Yourcenar and Kazantzakis, nobody has illuminated with such wisdom and compassion the often unseen lives that make the humanity what it is: a traveling, travailing organism with feet of myth.”

Mia Avramut is a Romanian- born writer, physician, researcher, and poetry editor at Connotation Press.

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Having left Greece in her youth, the author of “Feeding the Doves” returns to the country of her birth through a collection of stories that lie at the heart of Greek identity.

About the Book: Greece has been in the headlines for a very long time. Recently, the headlines have been gloomy and negative, the country facing some of its most difficult years. Against this background, “Feeding the Doves” explores recurrent elements of the Greek psyche, tracing them back to challenges posed by the country’s history, culture, and environment.

The widow, the old loner, the refugee, the immigrant, the young, the writer, the expatriate, tell us their stories, touching upon themes at the heart of Greek being: Love and loss, civil war, immigration and diaspora, emigration, poverty, religion, history and catastrophe, and above all, the will to survive.

 “What I admire here are the shining moments of revelation, of truths large and small bursting through the lives and memories of these characters. So many characters, and so rich!”

—John Wentworth Chapin
Founding Editor, 52|250 and A Baker’s Dozen

“Stories to surprise and entertain, to wake and calm, to wrench and elate, to tell the Greek story, past and present, and everyone’s story.”

-—Michael Dylan Welch, poet, writer,
and editor/publisher of Press Here books

Fruit Dove Press

Email: admin@fruitdovepress.com
http://www.fruitdovepress.com
Perfect softbound
87 pages, 90gm cream interior paper
Full-color laminated cover
129 mm x 198 mm trim size

ISBN: 978-3-944155-03-6

Price: £8.00 UK

Available from August 2013 through Amazon.co.uk and Amazon.de.

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Feeding the Doves

Forthcoming

Feeding the Doves
31 Short and Very Short Stories, and Haibun

Greece has been in the headlines for a very long time. Since ancient times, her  philosophers, historians, mathematicians, shipbuilders, traders, and artisans have been making the news – and, indeed, history. So, amidst the country’s most difficult  years in recent times, many people believe that they know Greece and the Greeks.

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Against this backdrop, the stories – short and very short – collected in “Feeding the  Doves” explore recurrent elements of the Greek psyche, tracing them back to challenges posed by the country’s history and environment. The widow, the old loner,  the refugee, the immigrant, the writer, the expatriate tell us their stories, touching  upon themes at the heart of Greek being, as well as our common humanity: love and l  loss, war, civil war, immigration and diaspora, emigration, poverty, religion, history,  and above all, the will to survive.

 

Cover Design:
Rob Ward, Freelance Animator

Fruit Dove Press
Email: admin@fruitdovepress.com
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[The title story “Feeding the Doves” and the cover image were inspired by a photo taken by Robert Geiss, titled “Feeding Doves” and posted on his (sadly, no longer active) blog “Daily Athens Photo.”]

SOAS Rebetiko

Rebetiko, the blues of the Greek refugees from Asia Minor, and of Turkey, is alive and well. A “Byzantine blend of the Turkish rhythms brought by the immigrant Greeks uprooted from their homes in Asia Minor with the contemporary Greek music of the twenties and thirties,” it can be heard Monday nights haunting the corridors and the JCR (Junior Common Room) of SOAS, the School of Oriental and African Studies, in London. I went to listen to the Rebetiko band this week and was amazed at the quality of sound and soulful singing.

SOAS Rebetiko
SOAS Rebetiko

The band SOAS Rebetiko describe themselves as follows:

“The Famous SOAS Rebetiko Band plays Rebetiko music of Greece, a broad genre of urban songs and instrumental music which developed in and around the major port areas of Eastern Mediterranean — Smyrna/Izmir, Istanbul, Syros, Piraeus and Thessaloniki.” 

I listened to this music growing up in a community of first- and second-generation refugees from Asia Minor, in Athens, and hearing it being played again, reminded me of the depth of feeling expressed through it; through the songs of loss and mourning, but also resistance, survival and life affirmation sang by the refugees.

2 Writers, many years later:

Reading Room Blog

Two writers writing about the refugees:

Renee Hirschon, Heirs of the Greek Catastrophe: The Social Life of Asia Minor Refugees in Piraeus (Oxford: Clarendon Press, 1989)

Hirschon draws on her research as an anthropologist in one of the refugee areas of Piraeus, Kokkinia, in 1972. Living within the refugee community, Hirschon was able to observe people’s customs and traditions, listen to their stories, and witness their lives. The fact that they referred to themselves as refugees and they were addressed as such in 1972, fifty years from the 1922 catastrophic events in Asia Minor, becomes the pivot of the book, and underpins the facts she discusses.

Hirschon was able to follow the grievances, alienation, marginalisation and suffering of this group of people living in Piraeus, and their attempts to cope with their situation by forging a separate identity within the Greek nation. While later years brought prosperity and the option to move out of the area, large numbers decided to stay in overcrowded properties for economic, socio-political, and to some degree, psychological reasons. Hirschon’s work focuses on a moment in time in the lives of this group of Mikrasiates, which tells a story of their continuing need for an identity and a way of coming to terms with their situation.

From the iconostasi (icon corner/alcove) to the proxenio (the procedure of arranging the marriage), to the dowry, to the seeming contradiction of religious practice with left-wing commitment, and to the surprising ratio of chairs per head, the book presents and explores a society both alive and struggling to maintain its identity. Hirschon relates a woman refugee saying that while the catastrophic events in Asia Minor and their consequences were traumatic experiences to the older generation, they are heard only as fairy tales by their offspring.

This book paints an alive picture of the people and the society it describes.

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Leyla Neyzi, ‘Remembering Smyrna/Izmir: Shared History, Shared Trauma’ in History and Memory, Bloomington: 2008, 20:2

Gülfem Kaatcilar Iren, a woman from Smyrna/Izmir, born in 1915, talks to Leyla Neyzi about her experiences of war, and the destruction of Smyrna and Manisa in  particular, events central to the history of Greece and Turkey. These events are referred to in Greece as the Smyrna ‘disaster’, while in Turkey as the ‘liberation’ of Izmir. This paper provides a unique account of the co-existence of two contradictory discourses framing the identity of the witness interviewed, as well as a wonderful illustration of shared humanity between people on the opposite sides of the political divide of the Aegean.

In a sensitive manner and with an ability to hold conflicting approaches in balance, Neyzi identifies two separate discourses in this narrative: a nationalist discourse which rationalises the events in Izmir and the ‘silence’ that followed them, and a discourse based on personal experience, which empathizes with those who lost the war and were forced to emigrate to another country (in this case, Greece) for safety.

Neyzi explores the coexistence and intersection between the two discourses while placing them within the wider socio-political context of the discussion about identity and history in modern-day Turkey.