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toll house
the groundless optimism
of daisies
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NaHaiWriMo prompt: tax
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toll house
the groundless optimism
of daisies
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NaHaiWriMo prompt: tax
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shimmering heat –
pine-scented water
over glowing stones
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NaHaiWriMo prompt: shimmering heat
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no longer entire-
his shrinking world
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Micropoem on the NaHaiWriMo prompt: cats
My kitten Emile’s operation is coming up soon and this is also about taking his point of view, in advance…
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rest-home yard
a garden swing
creaks
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NaHaiWriMo prompt: swing
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spring tide
flocks of waders rise
and fall
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NaHaiWriMo prompt: water/earth/spring
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Easter light
a seed
splits open
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NaHaiWriMo prompt: religious observance
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the stillness between
this day and the next-
paschal lily
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NaHaiWriMo prompt: religious observance
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April full moon –
instead of herself
her shadow
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NaHaiWriMo prompt: moon +
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air traffic –
giving the kites room
to manoeuvre
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NaHaiWriMo prompt: Spring kigo, human activities
Don’t you sometimes wonder where poets and writers’ characters come from? I do! Several times a day! Especially when I am waiting for mine to appear. Well, Lisa J. Cihlar, celebrating National Poetry Month with me today, is posting here exactly about this matter. And about the gestation, birth and life of her books. Fascinating … Enjoy!
I. A Character Emerges From the Swamp
Somewhere around a year and a half ago I wrote a poem and there was a character in it called Swampy Woman. Who knows where she came from? It happens that I grew up on a farmette in the middle of a swampy area in Door County WI, so I had wetlands always in my psyche, but I didn’t intentionally bring the swamp to my poem. Besides, that was just one poem and I had no design to write any more. But then, months later, who shows up but Swampy Woman. I was hooked after that. At that time I was writing a poem-a-day with a group of online poet friends and I took off with the character and wrote one poem after another. When I had about 25 of them, they just stopped coming.
Now that I had them, I wondered what to do. With the help of my wonderful teacher/mentor Terri Brown Davidson, I revised the poems and shaped the whole bunch of them into a chapbook titled The Insomniac’s House, from a line in one of the poems. I sent them out to a half dozen contests, and had no nibbles. Plus it was expensive. The book was now languishing in a computer file. Then I saw that “Dancing Girl Press” was accepting submissions—no money involved—and I sent the manuscript off and forgot about it.
A couple of months later I got an email saying that Kristy Bowen of DGP loved the book and wanted to publish it. I was over the moon. Kristy hand-makes chapbooks and she does lovely work. When I asked if she would mind if I got my own cover artist she was happy to let me do that. I knew Siolo Thompson through Facebook and thought her artwork fit Swampy Woman perfectly. Siolo read the manuscript and went to work. When I saw the cover design, I knew I had picked the right artist. I love the deconstructing bear on the cover and the woman in red; weird and haughty enough to be Swampy.
I got the first of the books in my greedy hands in January 2012 and it was wonderful holding something I had made from nothing but the thoughts in my head.
The thing about this character is that she seems to have caught the imagination of a lot of folks. Women especially are intrigued. I think it is because the character has sass. She is not Mother Nature as we typically see her, all gauzy and pastel. Rather she is sexy and pushy and apologizes for nothing. Because of this, the book has sold very well.
As a post script to this story of the genesis of a character, I can add that I have written a couple more Swampy Woman poems. She just pops up now and then, kind of showing me that she is still stomping around in the cattails. I’m always excited when she does.
II. A Character Who Remains Unnamed
After The Insomniac’s House poems were done I went back to writing poems on disparate topics. Then I became interested in prose poems. I bought a copy of The Rose Metal Press Field Guide to Prose Poetry and devoured it. After that I wrote some pretty bad prose poems.
Luckily practice makes better. I was writing a lot of poems and themes were emerging. When going back over the work I noticed I had a bunch of poems written about a character that had no name. They were all about She. And She was losing parts—her voice, her ears, her scream. I didn’t want to look into the psychology of this too deeply, so I just kept writing.
One day I was noodling around on Facebook and John Burroughs who runs Crisis Chronicles Press announced that he was doing a 24 hour chapbook contest. He would publish his favorite chapbook that was sent to him in the next 24 hours. That was too fun to pass up so I threw a book together and sent it in. I expected nothing so when I got an email from John telling me he loved the book and wanted to publish it, I was amazed. After I digested the news, I asked if I could have some time to edit and put the book in better order. John graciously gave me the time I needed. Again I worked with Terri Brown Davidson and made some huge changes to the chapbook: swapped out some poems, wrote new ones, changed the title, and gave the whole thing a loose storyline.
I sent the changed manuscript to John and kept my fingers crossed for two days until he wrote back that he liked the new version better than the first one. Huge sigh of relief on my part. He will publish the chapbook this year under the title “This is How She Fails.” Again I got an artist friend of mine, Lisa Marie Peaslee, to design the cover and I can’t wait to see the final product.
For me there is something special about following a character through a collection of poems. I feel like I know these people like I know my best friends.
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Lisa J. Cihlar‘s poems have been published in The South Dakota Review, Green Mountains Review, In Posse Review, Bluestem, and The Prose-Poem Project. One of her poems was nominated for a Pushcart Prize. Her chapbook, “The Insomniac’s House,” is available from Dancing Girl Press and a second chapbook “This is How She Fails,” will be published by Crisis Chronicles Press in 2012. She lives in rural southern Wisconsin.
This blog post is part of the Couplets project, a multi-author poetry blog tour coordinated by Joanne Merriam of Upper Rubber Boot Books “to help promote poetry and poets for National Poetry Month”.
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Good news! Snapshot Press has announced the results of The Haiku Calendar Contest 2012, selecting the entries for next year 2013. I am very pleased that one of my haiku, ‘winter wind,’ written in response to a NaHaiWriMo prompt, has made it as a runner-up and will be included in the Calendar! The complete results can be seen here
About the Haiku Calendar (I quote from their site):
“The Haiku Calendar has appeared annually since the 2000 edition was published in 1999. Edited by John Barlow, and featuring haiku poets from around the world, the calendar continues a rich tradition exploring and celebrating the relevance of seasonal references in English-language haiku.”
Of course, this proves the point: my daily haiku training at NaHaiWriMo is doing me good!
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hawthorn blossom –
the thorny issues no longer
matter
.
NaHaiWriMo prompt: blossom
April rain –
this year too the water butt
half full
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NaHaiWriMo prompt: rain
Well, April, the cruelest month, is upon us! Thank God we have poetry to help us survive it. Poetry, Poetry, Poetry, Poetry!
The Haiku Foundation, the Poetry Foundation, Poets.org, brim with wonderful poetry to feed the soul – and the senses! Visit them and forget about April; or at least enjoy it! There is also Per Diem, the Daily haiku offered by The Haiku Foundation on their home page (bottom right-hand corner); Couplets, the multi-author poetry blog, coordinated by Joanne Merriam of Upper Rubber Boot Books, the Facebook pages of NaHaiWriMo, and numerous other projects, workshops, readings, and poetry-related events.
On this first day of Poetry Month, I am very happy to host Margaret Dornaus, ‘writer, a teacher, wife, traveler . . . as well as a haiku-doodler.’ Margaret says about herself, ‘I live in a beautiful woodland setting, surrounded by native oak forests, that inspires me to record haiku snapshots of luna moths and our resident roadrunner, and even an occasional black bear as it hightails it across the top of my road, my mongrel dog barking at its heels as I watch with wonder’.
In her post hosted here, Margaret kindly states, ‘I’m thrilled to exchange places with Stella for the day in observance of National Poetry Month and to have her wonderful work featured on my blog, Haiku-doodle (http://www.haikudoodle.wordpress.com).
Margaret herself chose to offer three poems (see below). This is how she reflects on her offering:
‘After we decided to share three of our poems on each other’s site, I contemplated whether I should contribute haiku or tanka. I began writing both about a year and a half ago, and, although I was already familiar with haiku, I knew nothing about tanka until I accidentally stumbled upon a call for submissions to Pamela A. Babusci’s journal Moonbathing. When I started studying this ancient lyrical form and reading the work of other tanka poets, I knew I’d found a home . . . . And so I’ve chosen three tanka to feature here today.’
you remind me
how it felt that night we met . . .
our universe
filled with possibilities
and the soft hum of tree frogs
.
Simply Haiku, vol. 9, no. 1, Spring 2011
.
years from now
I promise to remember
how you looked that night
alone on the verandah
holding moonlight in your hands
.
First place, Tanka Society of America
2011 International Tanka Contest
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in darkness
we forget our anger . . .
suddenly
the sound of wild geese
piercing the starless night
.
Ribbons: Tanka Society of America Journal,
vol. 7, no. 1, Spring 2011
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This blog post exchange is part of the Couplets project, a multi-author poetry blog tour coordinated by Joanne Merriam of Upper Rubber Boot Books “to help promote poetry and poets for National Poetry Month“.
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running scared –
April fool catches
his shadow
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NaHaiWriMo Prompt: April fools
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rice paper –
how often do I eat
my words
.
NaHaiWriMo prompt: writing
In honour of International Women’s Month, Michelle Elvy produced a great mini-blog fest ‘March on, Women‘, featuring women from around the globe.
You can visit and enjoy the writing Here
In this collection, Michelle included the link to my haibun ‘The Tree’! Thank you Michelle, and well done!
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growing old –
I get to know the back
of my eye
‘
NaHaiWriMo prompt: growing
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theater night
my dress the same color
as the seats
NaHaiWriMo prompt: Theater
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hanami
a girl asks
for cherries
.
NaHaiWriMo prompt: cherry tree (viewing)
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Epitaphios
in the procession
he gives her lilacs
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NaHaiWriMo prompt: religious ceremony
The Munich Readery, Augustenstr 104, is my favorite bookshop in Munich. I enjoy walking around the shop and discovering the amazing books that crop-up on its shelves. Lisa and John, the proprietors, are friendly and book wizards, so I know and can rely on their knowing! I love taking part in their author readings, coordinated by Lisa. Today’s reading (21.03.12) must be my fifth at this venue, though the first to be documented The other readers read excellent poetry and prose. And there was wine, water and cookies afterwards!
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morning walk
sweet song of a bird
I don’t know
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NaHaiWriMo prompt: sweet
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gloaming
after gathering leaves
an early night
.
NaHaiWriMo prompt: weather
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sweating the neck of the clay water pot
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NaHaiWriMo prompt: water
April is not only the cruelest month. It is also National Poetry Month – for some of the world, anyway. Let’s not split hairs. We all want to celebrate poetry, so let’s do it. Poets, writers, publishers, readers, poetry lovers are planning get-togethers for poetry-related events: fests, readings, workshops, write-ins, stay-in-bed for poetry, day-dreaming…this kind of thing.
This is what I will be doing: I’ll be celebrating at ‘Couplets,’ a multi-author blog tour for April, to help promote poetry and poets for National Poetry Month. Co-ordinated by Joanne Merriam of Upper Rubber Boot Books it is going to be a fe(a)st. I am taking part and will be posting, besides my daily haiku, poetry-laden posts during the month. Come over to my web home and we’ll eat poetry words together!
Meanwhile, here are a few links to keep us going till then:
The Haiku Foundation: They say: “April 17, National Haiku Poetry Day, is a celebration of the genre of haiku, a kind of poetry whose origins date back a millennium in Japan; and more specifically, of English-language haiku, which has now been written for more than a century”. But you don’t have to wait till the 17th! You can explore this wonderful site, founded by Jim Kacian, and enjoy the best haiku and haiku poets in the world.
While visiting THF, check out their Per Diem: Daily Haiku series. In March they post my selection of haiku of the senses: haiku by some of the best poets highlighting the interconnectedness of sensory experience (Per Diem can be found on the front homepage of the Foundation, at the bottom right-hand corner). In April they post “Poems from Aotearoa, New Zealand haiku, featuring flora and fauna specific to those favored isles, and human activities, such as Anzac Day (April 25).” Editor: Sandra Simpson.
The Facebook page of National Haiku Poetry Month, or NaHaiWriMo, moderated by Michael Dylan Welch, has been running since February 2011. Although their haiku ‘month’ is February, they ‘haiku’ the whole year round. You can read or indeed “write at least one haiku a day, inspired by daily writing prompts”. The community is friendly and warm, encouraging…join them and surprise yourself! I have!
Poets.org has a page listing events and poetry resources here
Feel free to add/share any other events you may know of.
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equinox
standing on my own
two feet
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NaHaiWriMo prompt: nature/equinox/earth
Every year on the 21st of March UNESCO celebrates World Poetry Day. A decision to proclaim 21 March as World Poetry Day was adopted during the UNESCO’s 30th session held in Paris in 1999.
For UNESCO, “the main objective of this action is to support linguistic diversity through poetic expression and to offer endangered languages the opportunity to be heard within their communities. Moreover, this Day is meant to support poetry, return to the oral tradition of poetry recitals, promote teaching poetry, restore a dialogue between poetry and the other arts such as theatre, dance, music, painting and so on, support small publishers and create an attractive image of poetry in the media so that the art of poetry will no longer be considered an outdated form of art…” Link here
So, Happy World Poetry Day everyone!