Tag Archives: Kandinsky

‘Squares with Circles’ in Ekphrasis, The BHS Members’ Anthology 2017

squares with circles –
listening to the colours
After the painting Color Study. Squares with Concentric Circles, 1913, by Wassily Kandinsky.

Poem appears on p. 51 of Ekphrasis, The British Haiku Society Members’ Anthology 2017.

Ekphrasis, British Haiku Society Members' Anthology 2017 One of Kandinsky’s favourite descriptions of his work had been ‘making the colours sing.’ It is said that Kandinsky’s synesthesia — a condition in which one sense such as vision, triggers another, for instance, hearing — allowed him to hear the colours he worked with and . . . make them sing. In this poem, I admit hearing them!

Photo: copied from FB image posted by Shrikaanth Murthy.

Murnau (Moor)

Murnau is a small market town in the foothills of the Bavarian Alps. It is the place where Gabriele Münter, Wassily Kandinsky, and Franz Marc, inspired by the landscape, created The Blue Rider movement.

This is how the tourism office describes Murnau:

In Murnau nature, art and culture form a special bond. World-renowned artists like Kandinsky, Münter and Horváth lived here and found inspiration in the picturesque landscape at the foothills of the Bavarian Alps with its romantic lakes and unique moorlands.

The moor, Murnauer Moos as it is called in German, right next to the town of Murnau, is an enormous nature reserve, the largest in Central Europe and, surrounded by the Bavarian Alps, benefits from a micro-climate that supports an extraordinary range of animals and vegetation.

Meadows, marshes and mires; bog and creeks invite and nourish butterflies, insects, and rare birds. The light is translucent, the air uplifting, and the colors of the wild orchids, irises, grasses, and innumerable other plant varieties are thought to “sing.” Painters, photographers, art, nature, and bird-lovers make their pilgrimage to the moor to hear these songs.

Whenever I can, I go for walks there. My poem Murnau, published in escarp.org on the 8th of August 2010 is a twitter-sized attempt to condense the experience of walking on the moor without losing sight of some of the cultural associations of the area.

Nolde Question

Colour Clouds
Nolde Question

While working on my novel When the Colors Sing, about The Blue Rider (Der blaue Reiter) movement, especially Kandinsky, Münter and Marc, I came across the work of Emil Nolde and his struggles with the development of his art. Readers of this blog will know I recently visited his house – now a museum – in Seebüll, North Frisia, to get a better feeling of his surroundings and the areas where he liked to work.

Having dipped a bit deeper in Nolde’s bio, I came back with more questions than I went with; which is something I appreciate. For instance, I kept thinking, how did Emil Nolde hold the tension between his art and his craft; between his personal, conservative philosophy and his experimental and liberating work; between his roots in the farming community and artistically, in a German tradition of painting, and freedom of expression in his own artistic explorations of landscape, nature and humans. In other words, how did Nolde carry his own, individual cross to produce such work of great depth, intensity, and appeal?

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