Category Archives: Blog

Shortlisted tanka news

Delighted and honoured that my tanka was shortlisted for the Take Five: Best Contemporary Tanka, Vol 4.

The anthology series founded by tanka poet and editor, M. Kei, announced the short list for the fourth annual volume (2011) in March 2012. The nine editors headed by M. Kei (USA), Patricia Prime (NZ), Magdalena Dale (RO), Amelia Fielden (AUS), Claire Everett (UK), Owen Bullock (NZ), David Terelinck (AUS), Janick Belleau (CAN), and David Rice (USA), embarked on the amazing feat of reading all tanka published in English during 2011 with the goal of selecting the best individual tanka, kyoka, waka, gogyohka, gogyoshi, tanka sequences, tanka prose, and responsive tanka for inclusion in the annual anthology. The team read approximately eighteen thousand poems to choose about three hundred for inclusion in this, the fourth and final volume in the Take Five series. Well done to the editors and to the poets among us who got selected! I for one am thrilled and hugely encouraged!

The announcement can be read here

Other Worlds (haibun)

Other Worlds

I had been walking for hours. Hungry, thirsty, sweat dripping down my face, I was hardly capable of thinking, or imagining, my usual pastimes. Yet, here it was, in front of me, an impossible sight, a mirage. What else could this door-frame be in the middle of fields, in the center of the Peloponnese?

The air around me was hot, suffocating, as if half of the baked earth had floated upwards and was now swimming in it; it resonated thick with the sound of cicadas. The relentless sun had been plaguing me all morning. And it was the sun – more than anything else – that made me sit under that frame; on the thin band of shade it provided.

Resting my head on my knees, I lost consciousness. I don’t know how long I was out, but when I came to the frame was casting an elongated shadow.

Getting up, I felt my knees stiffen. I took a closer look. I could now see this ‘thing’ was not really a door frame. It was carved out of a kind of wood I had not seen before, of a tree I’d never encountered in my life.

Puzzled I touched it lightly. It moved! Alarmed, I jumped back. It stopped moving. I started feeling the frame for clues.

At the top right hand corner I traced something protruding, something like a splinter or a thin nail. I pulled gently. A slight breeze brushed my face, as if a door had been opened. I could smell jasmine, lemon and tar all mixed up; I could taste the salt of the Aegean sea! I heard the cries of sea-gulls and the flutter of their wings. A door had really been opened to another world.

doors –
butterflies
on wild thyme

.

A version of this haibun was published in Contemporary Haibun OnlineJan 1, 2012, vol 7 no 4

LanguagePlace Blog Carnival

LanguagePlace Blog Carnival: Call for submissions to edition #14 on the theme of The Senses in LanguagePlace. If you have written a short story, a flash, a poem, a non-fiction piece involving any one of the five senses – or indeed any of the twenty one senses we humans are supposed to possess – this is the time to send in your link(s): see here

You haven’t written such a piece? Looking for inspiration? Visit The Haiku Foundation Home page for the Per Diem: Daily Haiku ; the NaHaiwriMo facebook page; they are sure to tingle your writing!

 

Haiku of the senses

Throughout March, The Haiku Foundation is featuring in its Per Diem, Daily haiku series my selection of haiku of the senses. Rich and sensual, these 31 haiku, by some of the best poets from all over the world, illustrate the interconnectedness of sensory experience. Read it and see how a particular haiku/senryu may evoke an image in one, dominant sensory modality, only to set off a cascade of associations in other modalities. For instance, while the sense of hearing may be in the foreground initially, eventually the senses of smell, touch, temperature, weight or time (or others) may come to be tingled. Uncannily (as we neither expect nor pay attention to it normally), in some way similar to synesthesia, a haiku/senryu gives rise to a 3-D, or multi-modal experience of the world the poet conveys. Read it and see! Every day a new poem; everyday a new test!

The Per Diem series can be read on the Home page of THF