Tag Archives: Haibun

‘Homewards’ in Haibun Today, March 2013 (the text)

My haibun “Homewards” appears in Haibun Today and can be read by clicking here 

Vol.7, No. 1, March 2013

It can also be found below:

Magnolia
Magnolia Exmouth

Homewards

The garden at the back of the Edwardian terrace which is my London home is small but compact. A Magnolia Grandiflora Exmouth grows in its middle, a variety that keeps its glossy, oblong leaves in winter and blossoms in summer. White, deliciously fragrant flowers grace the tree unfailingly, giving me hours of pleasure upon my return from my European excursions. But the neighbor complains about the tree shading her garden. Each year I chop off branches to keep her happy. Each year I dread hearing from her.

sunlight
a dove crosses
the border

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For Journal publications in 2012 and earlier, please click in the drop-down menu.

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Haibun Today, March 2013

My haibun “Homewards” appears in Haibun Today and can be read by clicking here 

Vol.7, No. 1, March 2013

It can also be read below:

Homewards

The garden at the back of the Edwardian terrace which is my London home is small but compact. A Magnolia Grandiflora Exmouth grows in its middle, a variety that keeps its glossy, oblong leaves in winter and blossoms in summer. White, deliciously fragrant flowers grace the tree unfailingly, giving me hours of pleasure upon my return from my European excursions. But the neighbor complains about the tree shading her garden. Each year I chop off branches to keep her happy. Each year I dread hearing from her.

sunlight
a dove crosses
the border

 

Other Worlds (haibun)

Other Worlds

I had been walking for hours. Hungry, thirsty, sweat dripping down my face, I was hardly capable of thinking, or imagining, my usual pastimes. Yet, here it was, in front of me, an impossible sight, a mirage. What else could this door-frame be in the middle of fields, in the center of the Peloponnese?

The air around me was hot, suffocating, as if half of the baked earth had floated upwards and was now swimming in it; it resonated thick with the sound of cicadas. The relentless sun had been plaguing me all morning. And it was the sun – more than anything else – that made me sit under that frame; on the thin band of shade it provided.

Resting my head on my knees, I lost consciousness. I don’t know how long I was out, but when I came to the frame was casting an elongated shadow.

Getting up, I felt my knees stiffen. I took a closer look. I could now see this ‘thing’ was not really a door frame. It was carved out of a kind of wood I had not seen before, of a tree I’d never encountered in my life.

Puzzled I touched it lightly. It moved! Alarmed, I jumped back. It stopped moving. I started feeling the frame for clues.

At the top right hand corner I traced something protruding, something like a splinter or a thin nail. I pulled gently. A slight breeze brushed my face, as if a door had been opened. I could smell jasmine, lemon and tar all mixed up; I could taste the salt of the Aegean sea! I heard the cries of sea-gulls and the flutter of their wings. A door had really been opened to another world.

doors –
butterflies
on wild thyme

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A version of this haibun was published in Contemporary Haibun OnlineJan 1, 2012, vol 7 no 4

The Tree (Haibun)

The Tree

Sitting under a mulberry tree by the sea, in Alexandroupolis, Greece, near the border with Turkey, I stare across the sparkling water. A melancholy mood is sapping my energy. The ferry to Samothraki makes me wish to travel further on, but I know I’ve come far enough. This place, at the intersection of continents, symbolizes the crossroads in my own life, leaving behind my youth and entering middle age. I need a push, something to give me strength to take the next step.

I must have fallen asleep because when I come to dusk is falling like rain. I rub my eyes. The town lights flicker simultaneously with their reflections on the water. The notes of a flute pierce the air.

I muse about the times this town has passed between the Bulgarians, the Greeks, the Turks, the Russians; shudder at the thought of how much blood has been spilled. And yet humanity continues, the spirit survives whoever the ruler, whatever the belief. I realize the smallness of my own problem, the disease of vanity and self-preoccupation.

A crow lands next to me. We eye each other for a minute or two, then he flies away. Feeling a sense of acceptance wash over me, I walk to my Pension. The hostess noticing the lifting of my mood offers me a theory about what happened.

“It must have been the dervish, the Holy man of the fifteenth century,” she says. “He spent his days under a tree… he is buried there…”

“They buried him under his tree?”

“They say he still heals those who go to sit under it.”

“Is that the Mulberry tree…?” I start, trying to locate ‘my’ tree for her.

She shrugs, and then I know it does not matter.

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in the salty air

a single leaf from his book –

dove with crow

In Contemporary Haibun Online, January 2012