‘bending light’ and ‘Gray morning’

Delighted that my tanka “bending light” appears in Issue 5, Fall/Winter 2011-2012 of Moonbathing: A Journal of Women’s Tanka. A wonderful journal of tanka! I am honored to be included in such company. Many thanks to Pamela A. Babusci, editor of “Moonbathing.”

Also, “Gray morning (haiku),” in the notebook of the Asahi Haikuist Network, edited by Prof David McMurray, here.

Haiku Contest Anthology

The International Capoliveri Haiku Contest 2011 has announced the names of the authors selected to be included in their anthology 2011. Winners of the Contest will be selected from the authors included in their list, by March 2012.

According to the announcement, the winning poets will be granted a 7 day stay for two people in Capoliveri (on the Elba) and will attend an awards ceremony in May 2012. I feel honored to be amongst those chosen for the anthology. Now please cross your fingers for me to go to the next phase, I’d love to visit Elba.

The list of the anthology selections of international haiku poets can be seen here.

And if you are wondering what and where is Capoliveri, you could start from this site here.

I am looking forward to the anthology!

In The Language of Dragons

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flowering only

in soft moonlight—

dragon fruit

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In anticipation of the year of the dragon, a delightful collection of dragon haiku edited by Aubrie Cox, of Yay Words! The language of Dragons is heart-warming, playful, witty, and wonderful.  I am delighted that one of my own dragon haiku made it there. The entire collection can be downloaded as PDF from Aubrie’s site, here.

 

Haiku in Sketchbook Kukai and thread

old calendar

the writing on the wall

illegible

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November / December 31, 2011 “old calendar” Kukai, Sketcbook, 6th place, tied.

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old calendar

the sum of my hopes

fading

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in my old calendar

you came first

seedlings

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November / December 31, 2011 “old calendar” Kukai, Sketchbook, 10th place, tied.

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candlelight

how pale the moon

looks

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Choice haiku, Karina Klesko, US, Sketchbook, “Light a candle”

Choice Haiku, John Daleiden, Sketchbook, “Candle in the Wind”

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power cuts

in this wind a candle burns

too fast

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Choice haiku, Karina Klesko, US, Sketchbook, “Light a candle”

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electric candles—

so, I record

my prayer

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Choice haiku, Karina Klesko, US, Sketchbook, “Light a candle”

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prayer candle—

she puts her lips

to the icon

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Choice haiku, Karina Klesko, US, Sketchbook, “Light a candle”

Choice Haiku, John Daleiden, US, Sketchbook, “Candle in the Wind”

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diamonds

sparkle in your eyes

candle flame

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Choice Haiku, John Daleiden, US, Sketchbook, “Candle in the Wind”

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All Choice Haiku poems can be seen here and here

 

 

 

The Tree (Haibun)

The Tree

Sitting under a mulberry tree by the sea, in Alexandroupolis, Greece, near the border with Turkey, I stare across the sparkling water. A melancholy mood is sapping my energy. The ferry to Samothraki makes me wish to travel further on, but I know I’ve come far enough. This place, at the intersection of continents, symbolizes the crossroads in my own life, leaving behind my youth and entering middle age. I need a push, something to give me strength to take the next step.

I must have fallen asleep because when I come to dusk is falling like rain. I rub my eyes. The town lights flicker simultaneously with their reflections on the water. The notes of a flute pierce the air.

I muse about the times this town has passed between the Bulgarians, the Greeks, the Turks, the Russians; shudder at the thought of how much blood has been spilled. And yet humanity continues, the spirit survives whoever the ruler, whatever the belief. I realize the smallness of my own problem, the disease of vanity and self-preoccupation.

A crow lands next to me. We eye each other for a minute or two, then he flies away. Feeling a sense of acceptance wash over me, I walk to my Pension. The hostess noticing the lifting of my mood offers me a theory about what happened.

“It must have been the dervish, the Holy man of the fifteenth century,” she says. “He spent his days under a tree… he is buried there…”

“They buried him under his tree?”

“They say he still heals those who go to sit under it.”

“Is that the Mulberry tree…?” I start, trying to locate ‘my’ tree for her.

She shrugs, and then I know it does not matter.

.

in the salty air

a single leaf from his book –

dove with crow

In Contemporary Haibun Online, January 2012

January 2012 River of Stones

It is January and time for noticing, for paying attention to, well, whatever attracts our attention on a daily basis and writing a small poem, sentence, something about it – what is called a small stone. It is not difficult, believe me. The world calls to us all the time; in the words of Mary Oliver,

“The world offers itself to your imagination,

calls to you like the wild geese, harsh and exciting-“

From Wild Geese, Mary Oliver’s poem in Wikipedia

Let‘s not be deaf to it this year. Let’s start small, noticing one thing at a time, writing a small stone.

If you’d like to join in, take a look at the founding fathers, ooops, founding couple: Fiona and Kaspa’s site here  They explain everything… And you can even get a lovely badge from their site for your blog. I will be getting one soon myself…

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Oh yes, I almost forgot, here is the distillation of today’s noticing in the form of a haiku:

first day

the rootedness

of everything

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See also NaHaiWriMo prompt: New Year’s day/beginnings

Haiku #29 December 2011

1

packing tackle
the fishing line teasing
the cats
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Inspired by Jane Reichhold’s ‘frayed rope’
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2
a shape no other
than the humble horseshoe
four-leaf clover
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Based on Cherie Hunter Day’s ‘a skull no bigger‘

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NaHaiWriMo prompt: Influence (another poet/haiku) This is the prompt:

Write a haiku based on/influenced by another poet’s haiku. I know, I know, we are always under someone’s influence, but still! Anything goes, except ‘old pond’

If you are stuck for choice, have a look at the link below, the Haiku Foundation’s Montage Archive, where the work of haiku poets is juxtaposed in relation to a theme, for instance, The Little Truths  or any other comparative haiku piece. Or, pull on the ‘frayed rope’ here
See you there!

Literature, Art, and Life through the Lens of Haiku

Stella Pierides

Literature, Art, and Life through the Lens of Haiku

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