George Szirtes defends poetry: Poetry conjures the presence of things, their physicality… it is experienced through the body as much as the mind. “…but the chief use of poetry to sense the presence of the toad in language, without which sense nothing happens, without which the language enterprise is all imaginary gardens in which only ghosts can live.” Read it by clicking here: George Szirtes blog Then, go find that toad, say, by reading one of his poems: “Say“
number of view: 8Category: Poetry
Song of the Aegean
I wrote this poem thinking of the Aegean, the stories attached to it, from the Trojan war, to Odysseus’ crisscrossing the sea to return to Ithaca, to the sponge divers risking their lives to earn a living…
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This poem appeared in Poetry Monthly, issue 150, October 2008. (This was the last edition of the magazine; afterwards, it came back as the online journal Poetry Monthly International)
Song of the Aegean
Sea, azure, shoal, white sails,
Pines, sponges, diving tales
Winds, caique, bitter waves,
Oars, wreckage, soulful prayer
Odyssey, memory, dolphin leaps,
Marble, Kalymnos, Ariadne sings.
Girl
Girl
I wrote this poem in response to the painting titled Woman by Robert Campin. The painting can be found in the National Gallery, London. Here is the link: http://www.nationalgallery.org.uk/paintings/robert-campin-a-woman
My poem, Girl, can be found in the print Journal Off the Coast, International/Translation Issue, Spring 2009.
Girl
after ‘Woman’ by Robert Campin, 1378-1444, National Gallery
She rarely smiles. A thick, white veil
frames her face, stops her innocence
from straying too far;
remembering the world outside.
Here she lives, here she is
and here she stays: four walls,
bench, Bible, rosary, Cross,
pair of clogs, glass, pebble,
compass, chair, table.
She would be lost, but
for her little pleasure:
a bowl of coconut ice
refectory Sister leaves
on her windowsill.

History is on His Side
This poem was written on the tenth anniversary of Ken Saro-Wiwa’s death. It is included in the anthology Dance the Guns to Silence, edited by nii ayikwei Parkes and Kadija Sesay, London: Flipped Eye Publishing, 2005.
History is on His Side
‘No,’ he said, No to oppression, No to injustice,
No to violence. Even as he stood before the guards.
The sun was rising proper in the East, blushing the soil scarlet.
Sozaboy was with soldiers, arguing with the heart
of darkness. We all stand before history, he thought, and
‘No,’ he murmured through cracked lips. ‘No.’
He could not wipe his sweat mimicking sorrow’s tears.
His tied hands tried. His crowded heart pounding with the fear
of the unknowable. He mouthed ‘No,’ just before
their fifth attempt to hang him. Who will claim
the corpse of free speech, but those with a pen
to their name? History is on his side. And ours. Yes.
If Trees, Then Olive Trees
This poem was published in the Big Pond Rumours ezine, summer 2006. It won second Prize in the Big Pond Rumours Poetry Competition.
I wrote it for Tania and Jaque’s house-warming party and it is dedicated to them.
If Trees, Then Olive Trees
You ploughed the seas. You crossed the skies. Saw the shipwrecks. Gathered
your wealth in words. Then, like Odysseus seeing the smoke rising, you decided
to become trees. To grow roots, you wrote. To grow. And while the bulldozers
work round you, while the Fates, the Wars, the Envious, the Arrogant,
lay siege to you, as they always do and always will, remember to stand your ground
like thousand year-old olives, twisting golden brown trunks and holding hands. Expand,
burrow deeper and fashion a silky smooth quilt, a glowing oil lamp, a warming hearth,
a spacious kitchen, a deep well and a cool, vine-clad terrace.
Odyssey is a memory. A treasure and a well-kept secret. Your home always yearned
for you. Your olive-tree bed rooted to the ground. Penelope with outstretched
arms will hug you. The lyre and the xylophone. The drum and the flute will lead you.
And you will dance, and dance and sing the life she could only dream of.
And if, like the man of old, you find your journey not yet over,
embark on each new voyage with zest. Plan each trip in language,
build your boats with words. Thread your sails with rays from your joyous souls.
And for fuel, for fuel employ the subtle beating of your hearts.
On Jonathan Franzen’s The Corrections
The emptiness of it. The emptiness of Albert Lambert´s mind. The slow, and fast, draining, slackening, loosening of connections, of language, of life. Parkinsons, he says; Dementia. Depression. There is no healing possible. No repair. No reparation. Read the rest of this entry »
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