Postcards

Drawing his knees to his chest, he felt the rock with his hand. The air stunk of campfire. A suffocating fog was rising from the rugged hills below.

Alerted by a stir in the scrub, he made out a wounded bird beside him, limping. A pigeon. The bird looked him in the eye as if trying to pass on a message, then scampered away.

After years of war, first against the Italians, then the Germans, now their fellow Greeks, even the fertile valleys in the Grammos mountain range below had been exhausted. The fighters had eaten everything that could be eaten, even the homing pigeons that they used as messengers when they had to maintain radio silence. Hunger drives men mad.

His eyes searched for the bird, absurdly worrying that it might be shot.

His hand caressed his breast pocket, where he kept his postcards to his wife. Poor Eirini, he thought. She didn’t even know he was still alive; still fighting.

He had been “writing” to her without words since they retreated to the top. The silence, the isolation and above all the awareness of approaching defeat robbed him of words. He drew on the rough paper the hills, the scrub, rocks that looked as if made by God, scree; the few cypresses, plane trees, and pines he remembered from his village. Recently, the faces of men who died in his arms.

One day, he thought, his postcards to his wife would be found – these drawings would be his last words to her.

———-

I am fond of this short story, as it touches on themes from my forthcoming novel, Alexandrias 40: In the Shade of the Lemon Tree. 

A version of this short sotry appeared in 52/250 A Year of Flash, on the 26th of November 2010.

A Private Person

 A Private Person

I’d dreaded meeting him since I heard his news from an acquaintance.

Now he was standing behind me at the checkout.

Hugging me, he asked the usual questions he always rolls out at school

reunions. I am fine, I answered; I am also fine, he told me; his

company was booming – picking up more clients than he could manage.

Fiddling with his shirt button and looking me in the eye, presumably

not realising I’d heard about his terminal illness,

“I am not coming this year to the class get-together,” he said, “I’m

having my house redecorated.” He cleared his throat, “so much to be

done, I’ve got to be there.”

I nodded, and as we parted, I clasped his hand with a feeling of

relief, and held it longer than I should have.

Published in 52|250 A Year of Flash (November 1st, 2010)

Lemon Tree Magic

lemon tree
Lemon Tree Magic

This month’s theme of the Festival of the Trees is “The Magic of Faerie Trees.”  Hosted by Salix of Windy Willow, it is an interesting if bewitching topic. If you are into magic and fairies, fine. If you are not, what can you say about mystery or magic in a tree?

On the other hand, how is it that the olive tree is capable of living thousands of years? Is there magic involved? With its strong roots surviving underground, even when the trunk looks dead, the olive tree can make a claim to magic – though less so to mystery, if the strong roots explain its longevity! Then there is its outstanding beauty: its silvery foliage, almost like a whispering cloud, fused with its ragged, gnarled, twisted trunk, providing a unique image. This tree has so many associations for me that I decided to find a space for it in my second novel, When the Colours Sing.  An olive tree in pre-alpine Bavaria! We’ll see how this strand is going to develop. But first things first.

There is the lemon tree (for which I made space in my first novel, Alexandrias 40: In the Shade of the Lemon Tree) to talk about. Glossy foliage, waxy, white-purple flowers, divine fragrance, fruit to grace any table, book or poem!

Lemon trees are said to have originated in Asia and spread in the Mediterranean regions after Alexander the Great’s soldiers brought them back from India. They are treasured trees in the Mediterranean lands. They are as important as olive trees and vines. They are vital to the health and well-being of the people living in those lands, as they have numerous medicinal, hygienic, cooking and culinary uses. From the abundant vitamin C, to the taste-enhancing addition to salads, soups, and various dishes, to decorative and aesthetic uses, to the perfume industry, lemons are most versatile.

In Northern Europe and America, there are additional associations which emphasize the lemon’s bitter taste, as in the expression “when life gives you lemons,” or the “lemon car,” referring to a defective, multi-flaw car. In a painting by Paolo Morando, The Virgin and Child, Saint John the Baptists and an Angel, Christ as a child is being offered a lemon, an act frequently associated with learning a variety of tastes and therefore being weaned off baby food.

In this sense, the lemon bridges opposites in taste (bitter-sweet), between cultural perceptions, and generations (weaning the baby off baby food). Is that a clue for interpreting the Italian, unknown artist’s painting Man and Wife, in the National Gallery of London, which has a lemon tree as a background?  

Readers’ Digest lists 34 uses for the lemon. In Alexandrias 40: In the Shade of the Lemon Tree,  there is a whole number of other uses – some surprising ones – for the lemon.  But please note: try them at your own risk!

(Forthcoming:  Alexandrias 40: In the Shade of the Lemon Tree: www.voxhumana-books.com)

18 November 2010

Haiku Heaven

My haiku made it to the top five in the Iron Horse Literary Review haiku competition! I am delighted, especially since I wrote this haiku prompted by the name of the Journal and in response to their asking for haiku with either the word iron or horse.

I am particularly pleased because the competition caught me in the middle of writing my second novel, When the Colours Sing, set around the Blue Rider movement – it fitted so well. 

The five winners: Marty Smith, Lauren Tamraz, Sarah Spencer Pokla, Benjamin Vogt, and Stella Pierides.

The IHLR is a review of poetry and literary non-fiction published six times per year by Texas Tech University. I am going to follow them and read what they are getting up to from now on!

You can find the results of the competition together with my poem here

> Language > Place

The first edition of the Language/Place blog carnival is out. Why not visit here.  

I quote from “virtualnotes,” where this particular blog carnival originated:

“The idea of “> Language > Place” is to create a collaborate virtual journey through different places, in different formats, and with different languages included – the main language is english, yet the idea is that every post also includes snippets or terms of other languages, and refers to a specific place, country, region or city.”

For more information and how to join this monthly event, here

Oh, yes, and I took part too!

15 November 2010

City Breath: A Breath of Fresh Air

I just watched a short youtube video trailer of a fantastic video poetry project, City Breath, bringing the poetry and art of South African cities to life! The link to this trailer is here

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I was sent the following information about the City Breath project:

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“Through their common city theme, these short video ‘gasps’ or ‘breaths’ of South African cities give voice to the private dreams and nightmares of local poets, dancers, performance artists and filmmakers. They interrogate, with or against rational logic, the way South Africans understand their cities and urban life. Rebellious in their nature, under 4 minutes each, the films represent a genre seldom seen in South African film and television.

“Inspiring, sometimes beautiful, sometimes challenging, and over-all very impressive.” (Trevor Steele-Taylor, Director of the National Arts Festival Film Programme)

The City Breath video poetry project was shown in several cities round the world – Johannesburg being the most recent, after Berlin, London, Cape Town, and Vancouver. Curator Kai Lossgott is looking for more venues and festivals around the world interested in showing the project. She can be contacted directly at info@kailossgott.com

Apart from selecting existing works, the CITY BREATH project has initiated and developed new collaborations in the areas of the video poem, screen dance and experimental film.”

For more information and a fab blog see http://www.citybreathproject.blogspot.com

I was impressed and inspired!

I happen to know the work of one of the poets quite well: the immensely talented Tanya van Schalkwyk’s work, fusing imagination with sensitive observation and dynamic expression.

But watching the trailer (a few times!) made me want to see the whole thing!

Tania’s contribution to the video project is her poem “The Electrician”  included in her book Hyphen. It can be seen here

New Flash

My flash fiction story “A Private Person,” appears in the 52/250 flash fiction project, week 25.

52/250 is a project involving around eighty writers from all over the world who made the commitment to write and publish weekly, flash fiction stories for a whole year: 52 weeks, 250 words max! There is a theme for each week, and contributors can suggest themes to the editors.

I joined during week number 25, and my first flash appeared on Friday 5 November 2010. It is a short story about two individuals who see themselves as “private” persons. You can read it here.

The 52/250 project feels like a very encouraging, inspiring and warm place to be. I am going to hang out there… so, watch this space!

Three poems

Three of my poems have now been published by Vox Humana Literary Journal, “a literary journal focused on international writing, with a sub-focus on works from Israel and Palestine”

Winter Picture started its life at the North London writers’ workshop Word for Word, after a writer circulated photographs she had taken of a snow sculpture: two human-like figures made of snow on a Hampstead Heath bench. In my poem, the sculpture became a war-torn couple… read it and see.

Mystery Train was inspired by a photograph used as a writing prompt in the Tuesday poetry group of Word for Word. The photograph was of Elvis, on a train platform at the beginning of his career in the 1950s… so soon after the War…

The refugee grew out of a scene in my novel “Alexandrias 40: In the Shade of the Lemon Tree.” A refugee from Smyrni lies in her hospital bed in Athens, unable to join the other patients; she is forever caught in her own private despair.

Check out this link.  And feel free to comment!

5 October 2010

Festival of the Trees

Olive
Olive

The Festival of the Trees is “a periodical collection of links to blog posts and other online sites, hosted each month on a different blog.” Bloggers, poets, writers with an interest in arboreal matters post related material on their own blogs and submit the links to the host of each month’s co-coordinator. This month’s host was Arati, of the Bangalore-based blog Trees, Plants and More.

My own contribution to this month’s Festival of the Trees, I wrote some time ago. In “If Trees, then Olive Trees,” I use the olive tree, a precious, almost sacred tree in the Mediterranean, western Asia, and northern Africa countries; a symbol of peace and hope, connecting to the “olive branch,” and the sighting of land after the biblical flood.

Short, gnarled and twisted, the olive tree even looks appropriately old. It is said to live for hundreds of years, as its roots are capable of regeneration even if the trunk above ground is destroyed. Radiocarbon dating has confirmed 2000 year old trees in several countries! A tree known to be situated in the grounds of Plato’s Academy, in Athens, lived till the 1970s. An olive believed to have been planted by Peisistratus, the tyrant of Athens in the 6th century BC, is still to be found in Athens. Even older trees have been found in Israel and Arab lands, dating from 3000 and 4000 years ago. The trees of the Garden of Gethsemane are said to be dating from the time of Jesus.

In literature too, we know of several millenary trees: Homer featured olive trees in his poetry. Remember Odysseus bed?

My own poem is about putting down roots, both literally and metaphorically. You can read it here.

My novel “Alexandrias 40: In the Shade of the Lemon Tree” is also set around a tree, and it includes a number of surprising uses for its fruit. Not long now till the book is out. Watch this space.

For instructions on how to submit to the next Festival of Trees here.